HoarKor or HRKR for short was actually a duo of artists, Hoar and Kor, both Fine Arts students at Concordia University. They have tried their hand(s) at every possible type of urban art: figurative murals, graffiti, wheatpastes, stencils, smaller paste-ups and stickers, installations and even tagging. They also did a lot of studio work, you can check it out alongside much more of their street work on their Instagram and Facebook pages. In early 2017, after working together for 7 years, Hoar and Kor decided to put their professional relationship on hiatus (but not their friendship, hence the occasional collaboration between them afterwards). You can view their solo work via the following pages: Hoar on Instagram and Kor’s Instagram for “Mes chats dans ta ville”.

HoarKor, aussi connu sous le diminutif HRKR, est un duo d’artistes, Hoar et Kor. Ces deux étudiants de l’Université Concordia ont touché à toutes les formes d’art de rue: murales figuratives, graffitis, collages, pochoirs, collants et autocollants, intallations et même le tagging. Ils ont aussi été très prolifiques en studio. Jetez un coup d’oeil à leur pages Instagram et Facebook pour beaucoup plus que ce qui est présenté dans la galerie-photo ci-dessous. Au début de 2017, après 7 années de collaboration, Hoar et Kor ont décidé de commencer à travailler individuellement (mais ils ont continué à collaborer à l’occasion). Vous pouvez les suivre en solo via les pages de Hoar sur Instagram et le projet “Mes chats dans ta ville” de Kor.

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Figurative painting

Kor on cat and Hoar on letters, in Rosemont.

HRKR’s contribution to the 2016 edition of the Under Pressure Festival was the side wall of the Foufounes Electriques terrasse.

Contribution to the 2014 edition of the Under Pressure Festival.

Detail from above work.

Contribution to the Cabane à sucre secret gallery, part 1/3. Also visible on the left is a frame by Ms Teri done earlier for the 2014 edition of Mural Festival.

Contribution to the Cabane à sucre secret gallery, part 2/3.

Contribution to the Cabane à sucre secret gallery, part 3/3.

In Rosemont-Petite-Patrie.

Large mural in Petite-Patrie (click to view bigger).

Front wall of Barfly on St-Laurent. The door bottom right is by Labrona.

In Mile End.

In the Plateau.

Figurative part of a combo with letters in the abandoned Montreal Hippodrome stables (I didn’t get a chance to photograph the letters part).

This is one side of an entrance of a St-Henri high school.

This is the other side of the above entrance of a St-Henri high school.

On a wall of a youth centre in Rosemont.

Door 1/4 of a boxing center in Petite-Patrie.

Door 2/4 of a boxing center in Petite-Patrie.

Door 3/4 of a boxing center in Petite-Patrie.

Door 4/4 of a boxing center in Petite-Patrie.

On containers for the 2016 Marché des Possibles (photo 1/4).

On containers for the 2016 Marché des Possibles (photo 2/4).

On containers for the 2016 Marché des Possibles (photo 3/4).

On containers for the 2016 Marché des Possibles (photo 4/4).

On Jeanne-Mance.

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Letters

Hoar’s part of a session with Kor in Rosemont (see Kor next).

Kor’s part of a session with Hoar in Rosemont (see Hoar above).

In Petite-Patrie.

Contribution to the 2016 International Percussion Festival.

At the abandoned Montreal Hippodrome stables.

At the abandoned Montreal Hippodrome stables.

In industrial Hochelaga.

In the Plateau.

At the abandoned Montreal Hippodrome stables.

At the abandoned Montreal Hippodrome stables.

At the abandoned Montreal Hippodrome stables.

Graffiti by train tracks (‘HRKR’ at the top; other visible pieces by Sane, Zion and Wase).

A big throw in Mile End.

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Wheatpastes and small paste-ups

Kor wheatpaste found on St-Laurent.

Poster, photo © HoarKor.

Wheatpaste.

Poster.

Small paste-up.

Small paste-up.

Small paste-up.

Small paste-up. Also visible in the top left corner is a sticker by Futur Lasor Now.

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Under Pressure Festival 2015 sidewalk promos

In the weeks leading up to the 2015 edition of the Under Pressure Festival, a dozen promos were painted by Hoarkor on the sidewalks of the neighbourhood.

Au cours de la semaine précédant la tenue de l’édition 2015 du Festival Under Pressure, une douzaine de pubs ont été peintes par Hoarkor sur les trottoirs du quartier.

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Other

Installation for the 2014 edition of Mural Festival. Photo © Pia MTL

Installation for the 2015 VHS – Van Horne Station event.

Installation for the 2015 edition of the Under Pressure Festival.

Installation for the 2016 International Percussion Festival.

Reverse of information panel for the 2016 edition of Mural Festival.

Reverse of information panel for the 2016 edition of Mural Festival.

Painted wood cut-out in Villeray.

Another wood-up.

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Stickers

Sticker.

Collaboration with ROC514.

Collaboration with ROC514.

Kor sticker.

Sticker tag.

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Tags

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Hoar without Kor

Halloween LTG crew wall by Hozek (left), EK Sept (letters) and Hoar (right).

The LTG crew wall for the 2025 edition of Under Pressure, featuring EK Sept, Hoar, Hozek, Rizek, Seork and Amer.

Hoar inside a wrestling gym.

Hoar inside a wrestling gym, featuring a collaboration with EK Sept for the dog.

EK Sept, Rizek and Hoar representing LTG in Hochelaga.

Hoar’s piece on the LTG and friends wall for the 2024 edition of the Under Pressure Festival.

At the Papineau legal graffiti wall.

At the PSC legal graffiti wall.

Hoar, Rizek and EK Sept mashup piece above pieces by Adi and Louis Letters, inside an abandoned building.

In a Hochelaga alley.

In a Hochelaga alley.

In a Hochelaga alley.

Hoar’s piece on the LTG and friends wall for the 2023 edition of the Under Pressure Festival.

In a Hochelaga alley.

In a Hochelaga alley.

In a Hochelaga alley.

Mural in Hochelaga by LTG’s Paynt, Hozek, Hoar and EK Sept.

In a Hochelaga alley.

In Rosemont.

In Rosemont.

Hoar and EK Sept fusion piece in Hochelaga.

Hoar and EK Sept fusion piece in Rosemont.

In a Hochelaga alley.

In a Hochelaga alley.

In a Hochelaga alley.

In a Hochelaga alley.

In a Hochelaga alley.

In Rosemont.

In a Hochelaga alley.

Detail from a large multi-artist mural in Villeray.

Halloween piece in a Hochelaga alley.

Thanksgiving piece in a Hochelaga alley.

In a Hochelaga alley.

Close-up on Hoar’s part on the LTG/POM/H2K wall for the 2021 edition of the Under Pressure Festival. See full wall below.

The full LTG/POM/H2K wall for the 2021 edition of the Under Pressure Festival featuring EK Sept, Grils, Hoar, Paynt, Seork, Hozek, Rizek, Haks and Amer.

Hoar on letters and Seork on character, in Villeray.

Hoar doing EK Sept‘s name for his birthday, in a Hochelaga alley.

In a Hochelaga alley.

In Villeray.

In a Hochelaga alley.

In Petite-Patrie.

Contribution to a LTG crew space-themed production in the Plateau.

Collaboration with EK Sept in a Plateau alley.

In Rosemont.

In a Hochelaga alley.

In Rosemont.

Hoar on 2nd floor birds, and Hoar and EK Sept on ground level pieces, in a Verdun back alley.

Hoar on character, and Hoar and EK Sept on letters, in a Verdun back alley.

Hoar’s contribution to a LTG crew production.

In Rosemont.

Hoar, EK Sept and Hozek on the terrasse of Foufounes Electriques.

At the PSC legal graffiti wall.

In Rosemont.

In Rosemont.

Collaboration with Grils and EK Sept in Rosemont.

In Rosemont.

In Rosemont.

Hoar, Haks, EK Sept and Nemo collaboration for the 2020 edition of the Under Pressure Festival.

A short-lived bonus with EK Sept for the 2020 edition of the Under Pressure Festival, on a wall spot soon after given to another artist.

In Rosemont.

In Rosemont.

In Rosemont.

In Rosemont.

In Rosemont.

Hoar on letters and right character, with Hozek on the cartoon-like version of Hoar on the left.

Collaboration with EK Sept in a Rosemont alley.

In Rosemont.

With Seork on character, at the Papineau legal graffiti wall.

In an abandoned building.

In Rosemont.

In Rosemont.

In Rosemont.

In Rosemont.

In Rosemont.

At the Papineau legal graffiti wall.

In Rosemont.

In Rosemont, a tribute to the doctors and nurses during the Covid-19 crisis.

In Rosemont.

In Rosemont.

In Rosemont.

In Rosemont.

In Rosemont.

In Rosemont.

In an abandoned building.

In an abandoned building.

In Rosemont.

In Rosemont.

From a LTG crew Halloween-themed prod.

Rooftop in industrial St-Leonard.

In Rosemont.

At the Papineau legal graffiti wall.

In Rosemont.

Rooftop in industrial St-Leonard.

In Rosemont.

At the Papineau legal graffiti wall.

For the 2019 edition of Canettes de Ruelle.

Fokus aka Ofusk (top), EK Sept (middle) and Hoar (ground) on a Van Horne overpass pillar

Hoar and EK Sept representing LTG in the Plateau.

In the Plateau.

At the PSC legal graffiti wall.

Aces (top) and Hoar (ground) on the LTG/POM wall for the 2019 edition of the Under Pressure Festival.

Hoar’s name piece in a big LTG crew production. See full wall below.

Huge LTG crew wall in Hochelaga featuring EK Sept, Hoar, Paynt, Hozek, Seork, Grils, Gost and Serum. Hoar did his name piece but also quite a bit of the background.

At the Brigade B7 prod.

Hoar (top), Serum (middle), EK Sept (ground level) and Ofusk (figurative material) at the Brigade B7 prod.

In Rosemont.

In the Plateau.

In Rosemont.

In Rosemont.

At the PSC legal graffiti wall.

In Laval.

In the Plateau.

In the Plateau.

In a Plateau alley.

For the 2018 edition of the Under Pressure Festival.

At the PSC legal graffiti wall.

Hoar in Rosemont.

Hoar’s contribution to the Chats de Ruelle Festival (Canettes de Ruelle 2017) (angle 1/2; see next).

Hoar’s contribution to the Chats de Ruelle Festival (Canettes de Ruelle 2017) (angle 2/2; see above).

Hoar for the 2017 edition of the Under Pressure Festival.

Hoar at the abandoned Montreal Hippodrome stables.

Hoar for the 2017 edition of Mural Festival.

Hoar without Kor at the abandoned Montreal Hippodrome stables.

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Kor without Hoar

On autorack.

Inside an abandoned building.

On TTX.

In Petite-Patrie.

In Rosemont.

In Rosemont.

In a Plateau back alley.

Kor’s wall for the Chats de Ruelle Festival (Canettes de Ruelle 2017) which he curated.

Kor for the 2017 edition of the Under Pressure Festival, also part of a project called “Mes chats dans ta ville”.

Kor piece on a Masson rooftop, part of a project called “Mes chats dans ta ville”.

Kor featuring KG (not the graffiti crew) in Mile End.

Kor, Seano, MSH and perhaps more for the 2020 edition of Canettes de Ruelle.

Kor’s part in the Brigade B7 production.

On a rooftop in Montreal North.

In an abandoned building.

At the Papineau legal graffiti wall.

In Rosemont.

With Mesh on a Rosemont rooftop.

In a Rosemont alley.

Trackside in Rosemont-Petite-Patrie.

In a Rosemont alley.

In a Rosemont alley.

In an abandoned building.

In an abandoned building.

At the Papineau legal graffiti wall.

At the Papineau legal graffiti wall.

In Rosemont.

In Rosemont.

Kor’s part in the 2019 edition of the Under Pressure Festival.

Kor’s part in the 2019 edition of Canettes de Ruelle.

In an abandoned building.

In Rosemont.

In Rosemont.

With Maf in an abandoned building.

Trackside piece.

In an abandoned building.

In Little Italy.

In an empty Plateau lot.

In Hochelaga.

Kor roller graffiti on Omnipac building. Photo © HoarKor.

Kor roller graffiti by train tracks.

Kor roller in Outremont.

In Rosemont.

In Rosemont-Petite-Patrie.

In a Mile End alley.

Trackside.

In the Plateau.

In a Mile End alley.

In the Plateau.

In Mile End.

In the Plateau.

In Petite-Patrie.

In St-Henri.

In St-Henri.

At the Papineau legal graffiti wall.

In Rosemont.

A tag in an abandoned building.

A tag in Rosemont.

In the Plateau.

Mono Sourcil defines herself as a muralist but she is also known to do wheatpastes and hand-drawn stickers. For more information on the artist and for many more photos than what I have featured here, check out her personal, Instagram and Facebook pages.

Mono Sourcil se définit comme muraliste, mais elle s’affiche dans nos rues aussi via ses collages et ses stickers dessinés à la main. Pour plus d’information sur l’artiste et pour plus de photos que ce qui se trouve dans la galerie-photo ci-dessous, voir ses pages personnelle, Instagram et Facebook.

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Painted / peint

In an abandoned building.

Off Under Pressure 2025.

Mono Sourcil’s contribution to the prod put together to save the Projet 45 skatepark.

On bridge pillar.

A mural in the fashion district.

At the Papineau legal graffiti wall.

In the Plateau.

For the 2023 edition of the Under Pressure Festival.

For Breaking Walls / Meeting Of Styles.

In Nouveau Rosemont.

In a Hochelaga alley.

A mural in Hochelaga.

On the Rude crew wall for the 2021 edition of Canettes de Ruelle. This is actually the second version of this piece, see the first one below.

On the Rude crew wall for the 2021 edition of Canettes de Ruelle.

In Hochelaga.

For the 2020 edition of Mural.

In Petite-Patrie.

Under an overpass.

In a Rosemont alley.

Trackside.

With Hsix on letters, under a bridge.

First attempt at a realistic piece, from a K6A & friends production in the South West.

For the 2019 edition of Canettes de Ruelle.

In the Plateau. See below for close-ups.

In the Plateau, close up 1/3. Scroll up for full wall.

In the Plateau, close up 2/3. Scroll up for full wall.

In the Plateau, close up 3/3. Scroll up for full wall.

A small piece off Under Pressure 2019.

In an abandoned warehouse.

In an abandoned warehouse.

Mural in the McGill ghetto.

On a public piano (in-progress, unfinished in this shot). See opposite side below.

On a public piano (in-progress, unfinished in this shot). See opposite side above.

Mono Sourcil in Wynwood Miami during the 2018 edition of Art Basel.

In Rosemont.

Next to Axe Lalime‘s iconic bandaid logo, in the South West.

For the Ru street festival on Mont-Royal.

In a Plateau alley. See below for close-ups of the individual sides.

In a Plateau alley, close-up on one half of the above wall.

In a Plateau alley, close-up on the other half of the above wall.

Contribution to the Estival de Canes 2018. Letters beneath her character are by Hsix.

For the 2018 edition of MTL En Arts (1/6).

For the 2018 edition of MTL En Arts (2/6).

For the 2018 edition of MTL En Arts (3/6).

For the 2018 edition of MTL En Arts (4/6).

For the 2018 edition of MTL En Arts (5/6).

For the 2018 edition of MTL En Arts (6/6).

Contribution to a K6A & friends production in the South West.

In a Rosemont alley.

For the Chats de Ruelle Festival (Canettes de Ruelle 2017).

Mono Sourcil’s super long mural for the 2017 edition of Mural Festival. See next for close-ups in three segments.

Segment 1/3 of Mono Sourcil’s mural super long mural for the 2017 edition of Mural Festival.

Segment 2/3 of Mono Sourcil’s mural super long mural for the 2017 edition of Mural Festival.

Segment 3/3 of Mono Sourcil’s mural super long mural for the 2017 edition of Mural Festival.

On the side wall of a Plateau café.

On the front wall of the same café as above.

For the 2016 edition of the Under Pressure Festival.

Mono Sourcil (right) and Wzrds Gng (left) in a Mile end alley.

In Mile End.

In Mile End. Visible top corner is a bit from the Wzrds Gng.

In the Plateau.

On a garage door in the Plateau.

In Hochelaga.

In Hochelaga.

In a Hochelaga alley.

In a Rosemont alley.

In the back of an industrial building in Rosemont.

Germ Dee (top) and Mono Sourcil (bottom) in Petite-Patrie.

Mono Sourcil (left) and Hsix (right letters) in a Hochelaga back alley.

For the 2016 International Percussion Festival.

4U crew triptych for Plaza Walls featuring Germ Dee (left), Tiburón (centre) and Mono Sourcil (right).

The Wzrds Gng (left), Mono Sourcil (centre) and Germ Dee (right) at a Hochelaga skateboard pipe.

Back of information board for the 2016 edition of Mural Festival.

“Your Face Here” board for the 2016 edition of Mural Festival.

On a sidewalk panel on Amherst for the 2016 edition of the MTL En Arts festival.

For the 2017 edition of MTL En Arts (angle 1/2, see below).

For the 2017 edition of MTL En Arts (angle 2/2, see above).

For the 2015 Osheaga festival (work-in-progress almost finished).

In Parc des Royaux. See next two photos for close-ups.

In Parc des Royaux, detail 1/2.

In Parc des Royaux, detail 2/2.

Nybar letters on a Mono Sourcil mural in Hochelaga.

Contribution to the 2015 edition of the Under Pressure Festival.

On Boisbriand container, done during the 2014 edition of the Under Pressure Festival.

Mono Sourcil (left) and Futur Lasor Now (right) for the 2014 edition of the Under Pressure Festival, Ste-Catherine x Hotel de Ville.

Turtle Caps (left), Mono Sourcil (centre), Labrona (right) for the 2014 edition of the Under Pressure Festival, Ste-Catherine x Hotel de Ville.

Turtle Caps (left), Mono Sourcil (centre), Labrona (right) for the 2014 edition of the Under Pressure Festival, Ste-Catherine x Hotel de Ville.

Mono Sourcil, Labrona, Turtle Caps, Alex Produkt for the 2014 edition of the Under Pressure Festival, Ste-Catherine x Hotel de Ville.

In Hochelaga, near the legal graffiti tunnel on de Rouen.

Mono Sourcil for the 2016 Amalgam Festival in Sherbrooke (3 sides of the same bridge pillar).

Mono Sourcil for the 2016 Amalgam Festival in Sherbrooke.

On Plaza St-Hubert post (2 sides shown).

An old one found under a bridge.

Under bridge, next to train tracks.

In an empty Hochelaga lot.

In an abandoned lot in Eastern Montreal.

In an abandoned lot in Eastern Montreal.

In an abandoned lot in Eastern Montreal.

This piece in a Hochelaga staircase was rediscovered when construction re-exposed the wall on which it was painted.

On a Canada Malting Co silo.

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Sidewalk pieces for Mural Festival 2024

Mono Sourcil was the artist in charge of the sidewalk pieces for the 2024 edition of Mural Festival.

Mono Sourcil était l’artiste contribuant les pièces de trottoir pour l’édition 2024 du Festival Mural.

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Wheatpastes, paste-ups / collages

In the Plateau.

A Small paste-up in Plateau End.

A small paste-up in the Plateau.

A small paste-up in the Plateau.

A small paste-up in the Plateau.

A small paste-up in the Plateau.

A small paste-up in the Plateau.

In the Plateau.

Set of wheatpastes for the 2018 edition of the Under Pressure Festival.

For the 2017 edition of the Under Pressure Festival.

For the 2017 edition of the Under Pressure Festival.

With Labrona on the right, in the Quartier Latin.

In the Quartier Latin.

With Labrona below, in Centre-sud.

In Hochelaga.

In the Quartier des Spectacles.

Wheatpaste on the boarded up Club Sandwich for the 2016 edition of the MTL En Arts festival.

In Hochelaga.

Labrona (left) and Mono Sourcil (right) next to UQAM.

Labrona (left) and Mono Sourcil (right) in the village.

Labrona (left) and Mono Sourcil (right) in Centre Sud.

Labrona (left) and Mono Sourcil (right) in the same Centre-Sud spot as above but about a year later.

Mono Sourcil (left) and Labrona (right) in Hochelaga.

Mono Sourcil (top) and Labrona (bottom) downtown.

Wheatpaste found on Ontario.

Mono Sourcil (left) and Labrona (right) on Clark.

Mono Sourcil (left) and Labrona (right) wheatpastes in the Quartier des spectacles.

Labrona (top) and Mono Sourcil (bottom) wheatpastes on a Plateau door.

Mono Sourcil (top right), Labrona (bottom) and Scaner (centre left) wheatpastes on door in the alley between St-Laurent and Clark. Also visible in the top left corner is a sticker for Decolonizing Street Art.

Wheatpastes by Labrona (left) and Mono Sourcil (right) with stickers by Graffiti Knight (top left), Turtle Caps (in yellow) and Il Flatcha (two in purple) at the top, in the Plateau.

Mono Sourcil (top) and Labrona (bottom) plus drawing by Cryote who at the time was in the Wzrds Gng.

Mono Sourcil (left) and Labrona (right) wheatpastes in Centre-Sud.

A small paste-up.

A small paste-up.

A small paste-up.

A small paste-up.

A small paste-up.

A small paste-up.

Small hand-drawn paste-up.

Small hand-drawn paste-up.

Small hand-drawn paste-up.

Paste-up.

Smaller hand-drawn paste-up.

Paste-ups.

Paste-up.

Paste-up.

Paste-up.

Paste-up.

Paste-up.

Paste-up.

Paste-up.

Paste-up.

Paste-up.

Small paste-up.

Small paste-up.

Small paste-up.

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Cardboard paste-ups / collages-carton

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stickers

There are a lot of stickers in this photo gallery, but this is just a sample of what is out there.

Il y a un très grand nombre de stickers dans la galerie-photo ci-dessous, mais ce n’est qu’une fraction de ce qu’on peut trouver dans les rues de Montréal.

Left: Mono Sourcil at the bottom but perhaps not at the top.
Right: larger sticker

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Figurative throws and tags

Next to Germ Dee on the right in a Plateau alley.

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letter tags and throws

Hollows and tags by Mono Sourcil and Honey.

Kat, an activist for animal rights, started pasting posters in the streets and alleys of Montreal in 2014, a few years after arriving here from her native France. Her recurring theme of anthropomorphic creatures with animal masks quickly got her noticed by local fans of street art. Her characters are often held captive by chains or strange contraptions, or are placed behind bars – in the image, or literally pasted behind the bars of alley windows and doors. The artist explains her choice of iconography in these words: “On one side we are all hiding behind a mask when we are in society and choosing what we want to show from ourselves to others. Sometimes it’s to protect ourselves from not showing emotions to look stronger or just to keep safe in our secret garden. On the other aspect of the human being, we all have a connection with an animal. It can be a physical or similar personality, an attraction or an aversion, a fear…”

Since the end of 2016 Kat has broaden the range of social issues tackled in her art, but she has also more or less taken a break from working in the streets. The work shown in the gallery below therefore mostly spans the years 2014-2016. For more information on the artist, and to see what she has been up to since 2016, check out www.katstreetart.com as well as her Instagram page.

L’artiste d’origine française Kat s’est mise aux collages dans les rues et ruelles de Montréal en 2014, quelques années après son arrivée à Montréal. Elle s’est immédiatement fait remarquer par les amateurs de street art pour son thème récurrent, des créatures anthropomorphiques portant masques d’animaux. Ses personnages sont souvent prisonniers de chaines ou se trouvent derrière des barreaux (dans l’image ou littéralement derrière de vrais barreaux de fenêtres et portes de ruelles). L’artiste, qui a à coeur la lutte contre la cruauté envers les animaux, explique ainsi ses choix iconographiques (ma traduction): “D’abord, nous portons tous un masque lorsqu’en société. Nous choisissons ainsi quelle facette de notre personnalité nous désirons présenter aux autres. Nous agissons ainsi par protection, pour avoir l’air plus fort, pour se sentir plus sécure. De plus, chacun de nous a une certaine connection avec un animal. Cette connection peut être due à une ressemblance physique ou de personalité, ou le fruit d’une attirance ou répulsion envers l’animal en question.”

Depuis la fin de 2016 Kat a ajouté quelques causes sociales à son art, mais elle a aussi à toutes fins pratiques cessé d’exposer dans la rue. Les oeuvres présentées dans la gallerie ci-dessous datent en conséquence majoritairement de la période 2014-2016. Pour plus d’information sur l’artiste, ou pour voir son travail en studio depuis 2016, vous êtes invités à jeter un coup d’oeil à www.katstreetart.com ainsi qu’à sa page Instagram.

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pasted work

Paste-up off the 2025 edition of Mural Festival.

Paste-up off the 2025 edition of Mural Festival.

Paste-up off the 2025 edition of Mural Festival.

On one of the info boards for the 2019 edition of Mural Festival.

Posters for the 2018 edition of the Under Pressure Festival. See below for close-ups.

Close-up of one of the posters for the 2018 edition of the Under Pressure Festival.

Close-up of one of the posters for the 2018 edition of the Under Pressure Festival.

In a Plateau alley.

In a Plateau alley. Notice the stitch around the mouth, the cuts and the fake blood.

In a Plateau alley.

In a Plateau alley.

In the Plateau.

In the Plateau.

In Plateau End.

In Mile End.

In the alley between St-Laurent and Clark.

In the alley between St-Laurent and Clark.

In the alley between St-Laurent and Clark.

In the alley between St-Laurent and Clark.

Near Clark

In the alley between St-Laurent and Clark.

In the alley between St-Laurent and Clark.

In the alley between St-Laurent and Clark.

Well hidden at the back of a narrow dead-end alley.

On an abandoned Mile End building.

In the alley between St-Laurent and Clark.

Near St-Laurent.

In the alley between St-Laurent and Clark.

In an alley off Mont-Royal. The paste-up on the right is by Swarm.

At the back of the LNDMRK offices.

In the alley between St-Laurent and Clark.

In the alley between St-Laurent and Clark.

In the alley between St-Laurent and Clark.

In the alley between St-Laurent and Clark.

On the George General d’Auto Reparation abandoned garage.

On St-Dominique.

On the George General d’Auto Reparation abandoned garage.

In the alley between St-Laurent and Clark.

In Parc des Amériques. Also visible in the bottom left corner is a paste-up by ROC514 with Cup O’Joe.

Collaboration between Kat (left) and Labrona (right) found in Centre-Sud.

Collaboration between Kat (left) and Labrona (right) found in Centre-Sud.

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painted work

Kat’s contribution to the 2016 edition of the Under Pressure Festival. Unlike most of Kat’s work, this piece was all painted on location.

Official work on St-Laurent. See below for a different angle.

Official work on St-Laurent. See above it for a different angle.

More from the above official project on St-Laurent.

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installation

Kat created a selfie booth/installation for the 2016 edition of Mural Festival with the aim of bringing awareness to animal rights.

Pour l’édition 2016 du Festival Mural Kat a créé une installation dans le but de sensibiliser les visiteurs au sort des animaux en captivité.