Galleries

Eskro

Eskro is a graffiti writer active in and around Montreal, and one of the most talented and prolific of his generation. Until the end of 2016 he was a member of the multi-disciplinary crew Astred Collective, but early in 2017 he started representing a new crew called TFS (or 24/7 – twenty-four/seven). At some point early in 2018 he also started representing YU8 (why you hate?) when a friendship between members of TFS and YU8 led to some writers from each one being admitted in the other crew.

Eskro has very little presence online, but you can follow him on Instagram.

Eskro est un graffeur actif à Montréal, et un des plus talentueux et prolifiques de sa génération. Jusque vers la fin de 2016 il était membre du collectif multi-disciplinaire The Astred Collective, mais à partir du début 2017 il s’est mis à représenter TFS (ou 24/7 pour twenty-four/seven). Vers le début de 2018 il a aussi commencé à représenter YU8 (lire why you hate?) après qu’une amitié entre certains membres des crews TFS et YU8 a fait en sorte que des graffeurs de chacun de ces crews ont été admis dans l’autre.

La seule présence d’Eskro sur l’internet est sur Instagram.


pieces, burners, etc.

Pieces in this section are shown in approximate reverse chronological order, so the most recent are at the top.

Les pièces de cette section de la galerie sont présentées en ordre chronologique inverse approximatif, de la plus récente à la plus vieille que j’ai eu la chance de photographier.

In an abandoned building in Côte-des-Neiges.

In an abandoned building in Côte-des-Neiges.

In an abandoned building in Côte-des-Neiges.

Resok (left letters), Eskro (right letters) and Apok (top) for the Canettes de Ruelle alley production.

Eskro, Resok and Apok on a garage door for the Canettes de Ruelle alley production.

Under an overpass.

Wall section of the 2018 edition of the Under Pressure Festival featuring Serna (top left), Resok (top right), Temps (middle left), Nor (middle center), Myrage (middle right), Rizek (ground left) and Eskro (ground right). See below for close-up on Eskro’s piece.

Close-up on Eskro’s piece for the 2018 edition of the Under Pressure Festival. See full wall above.

Eskro (left) and Haks (right) announcing the 2018 edition of the Under Pressure Festival at the PSC legal graffiti wall. Eskro wrote UNDER and Haks wrote PRESSURE.

At the PSC legal graffiti wall.

Inside the abandoned Montreal Hippodrome.

Inside the abandoned Montreal Hippodrome.

Inside the abandoned Montreal Hippodrome.

Inside the abandoned Montreal Hippodrome.

Tribute to Scaner by Myrage and Eskro in an abandoned church. See below for close-up.

Close-up on Eskro and Myrage‘s tribute to Scaner in an abandoned church.

Inside an abandoned building on the South Shore.

Inside an abandoned building on the South Shore.

Inside an abandoned building on the South Shore.

On the side of a parked freight train.

Inside an abandoned building on the South Shore.

Inside an abandoned building on the South Shore.

Inside a stable of the abandoned Montreal Hippodrome.

In Rosemont.

The TFS/POM wall for the 2017 edition of the Under Pressure Festival featuring Rizek (top left), Apok (angel), Resok (2nd row left), Myrage (2nd row right), Eskro (3rd row), Serum (ground left) and EK Sept (ground right). See below for close-up on Eskro’s piece.

Close-up on Eskro’s piece for the 2017 edition of the Under Pressure Festival. See above for full wall.

Inside an abandoned building in Lachine.

Inside an abandoned building in Lachine.

In Rosemont.

In Rosemont.

In Rosemont.

In Rosemont.

In Rosemont.

In Rosemont.

Inside an abandoned building in Lachine.

Inside an abandoned building in Lachine.

Inside an abandoned building in Lachine.

Doing the name of his TFS crew inside an abandoned building in Lachine.

Doing the name of his crewmate Myrage inside an abandoned building in Lachine.

In Rosemont.

At the PSC legal graffiti wall.

Inside an abandoned warehouse in Hochelaga.

Doing Ekes’ name in Rosemont.

Inside an abandoned building in Pointe-Claire.

At the PSC legal graffiti wall.

In Rosemont.

In Rosemont.

Inside a stable of the abandoned Montreal Hippodrome.

In Rosemont.

In Rosemont.

With Apok on character, inside a stable of the abandoned Montreal Hippodrome.

In Rosemont, with Kuby on character.

Eskro (middle), Apok (bottom right), Ankh One (top) and Jasp (bottom left) for the 2016 edition of the Under Pressure Festival.

Indoors piece for an expo at the Fresh Paint Gallery in parallel to the 2016 edition of the Under Pressure Festival.

In Rosemont.

In Rosemont, with Lapin on skull.

In Rosemont.

In Rosemont.

In Rosemont.

In Rosemont.

In Rosemont.

In Rosemont.

In Rosemont.

Mural by Apok and Eskro from the Astred Collective in Pointe St-Charles.

With Apok on character at the PSC legal graffiti wall.

Inside a stable of the abandoned Montreal Hippodrome.

With Hero in Rosemont.

At the Rouen legal graffiti tunnel. Also visible above is an older piece by Kube.

In Rosemont.

At the Rouen legal graffiti tunnel.

In Rosemont.

In Rosemont.

Inside a stable of the abandoned Montreal Hippodrome.

In Rosemont.

At the Rouen legal graffiti tunnel.

With Rouks on the left at the Rouen legal graffiti tunnel.

A quickie in Hochelaga.

Inside a stable of the abandoned Montreal Hippodrome.

Inside the abandoned Transco.

Inside the abandoned Transco.

Inside the abandoned Transco.

Inside the abandoned Transco.

At the Rouen legal graffiti tunnel.

At the Rouen legal graffiti tunnel.

Inside a stable of the abandoned Montreal Hippodrome.

With Apok on character on a Little Italy rooftop.

Rouks representing Next Time (left) and Escro for the Astred Collective (right), in a Plateau alley.

Escro for the Astred Collective in the Plateau.

At the Rouen legal graffiti tunnel. Also visible above is Aces.

On a parked train bed.

On an overpass pillar.


throws


tags

Scan You Rock tribute wall

For about a week during the month of September 2018, nearly 100 writers and artists converged onto Cabot street in the South West of Montreal for the creation of a huge mural celebrating the graffiti writer and artist Scaner who had passed away a year earlier following a 8-year battle with cancer.

The 675 m2 (7250 sq. foot) mural is the creation of Scaner’s KG crewmates Zek (who wrote the letter outlines) and Stare, and features characters by Harry Bones and Axe Lalime. It was done on one of the two walls which had served as the canvas for the Scan You Rock mega-production 16 months earlier, a huge tribute to Scaner put together by his friends when they found out that he only had a short time left to live. Scaner’s own piece in the latter production was salvaged and has been integrated into the new mural which was designed around it. Barcelona artist and 4S crewmate Harry Bones created a Scaner-inspired character looming over the piece, and nearly a hundred of Scaner’s fellow writers and artists from Montreal and around the world filled the letters of his name with their own name pieces. Scan’s DA crewmate Axe Lalime created the end character, a clock reminding us that Time Is Gold.

The creation of the mural was organised by Scaner’s wife Karine ‘Kay’ Rogers and his friend Philémon (through the non-profit organization Mr CanDo) and made possible through the generous contribution of donors who thus helped pay for the rental of aerial work platforms, scaffoldings and safety equipment as well as the purchase of paint and the transportation of artists.

A tribute of this scale was unheard of in the world of graffiti and urban art before this. It is a testament to the love and respect that Scaner commanded from his peers, in Montreal and elsewhere in the world. The new mural is seen everyday by thousands of commuters on the Turcot Interchange, and photos and videos of it and its making have made it around the world through social media, cementing Scan’s place in local and international art and graffiti history.

The gallery below features photos of the complete wall as well as close-ups on various sections, including credits for all the artists involved. A few names are missing, any input is welcome.

Pendant 7 jours en septembre 2018, une centaine de graffeurs et autres artistes se sont rendus sur la rue Cabot dans le sud-ouest de Montréal pour la création d’une immense murale en hommage au graffeur et artiste montréalais Scaner, pour le premier anniversaire de son décès suite à une bataille de 8 ans contre le cancer.

La murale de 675 m2 (7250 pieds carrés) est une création de ses amis graffeurs Zek (qui a dessiné les lettres) et Stare, et inclut des personnages par Harry Bones et Axe Lalime. Elle a été créée sur un des deux murs qui, 16 mois plus tôt, avaient servi de canevas pour la mega-production Scan You Rock, un immense hommage à Scaner organisé par ses amis lorsque la communauté a appris qu’il ne lui restait plus que quelques temps à vivre. La contribution de Scaner dans cette production a été préservée et intégrée dans la nouvelle murale. L’artiste barcelonais et crewmate en 4S Harry Bones a créé un immense personnage inspiré par Scaner et une centaine de graffeurs et autres artistes de Montréal et d’ailleurs ont rempli les lettres de son nom avec leur propre pièce. Axe Lalime, qui faisait aussi partie du crew DA avec Scan, a créé le personnage au bout du mur, un réveil nous rappelant que le temps est précieux (Time Is Gold).

La création de la murale a été organisée par la conjointe de Scaner, Karine ‘Kay’ Rogers, et le bon ami de Scan Philémon (via l’OBNL Mr CanDo) et rendue possible grâce à la généreuse contribution de donateurs qui ont ainsi aidé à payer pour la location de plate-formes mobiles, des échafaudages et des équipements de sécurité ainsi que pour l’achat de la peinture et le transports d’artistes.

Il n’y a jamais eu d’hommage de cette ordre avant celui-ci dans le monde du graffiti et de l’art urbain en général. Ceci témoigne de l’amour et du respect que Scaner a inspiré chez ses pairs, qu’ils soient à Montréal ou à l’étranger. La nouvelle murale est vue chaque jours par les milliers de gens qui utilisent l’échangeur Turcot, et des photos et des vidéos de celle-ci et de sa création ont fait le tour du monde via les médias sociaux. Ainsi Scaner prend tranquillement la place qu’il mérite dans l’histoire artistique de notre ville et du milieu du graffiti.

La galerie ci-dessous présente des photos du mur complet ainsi que quelques gros plans sur ses sections, incluant des crédits pour tous les artistes qui y ont contribué. Quelques nom y manquent, vous êtes invités à combler ces lacunes en m’écrivant.


The complete wall. Scroll down for close-ups on the wall’s different sections. Click to view image in bigger size.

Close-up on Harry Bones‘ contribution around Scaner‘s own piece salvaged from the Scan You Rock production from April 2017 (a few months before he passed away). Harry Bones was Scan’s crewmate in the 4S crew.

Close-up on the S. Artists in the fill are:
row 1: Hoacs, Eskae
row 2: Risk, Sober, unidentified
row 3: Sear, Musa, Kemr
row 4: Skor, Roachi, Trace, Zema
row 5: unidentified, Morz, Kay (Scan’s wife), Vect, Jarus (partial)
row 6: Jat?, Narc, Sewk, Shok, unidentified

Close-up on the C. Artists in the fill are:
row 1: unidentified
row 2: Hyke, someone writing Jays
row 3: Smak, Fonki
row 4: Zema, Koal, Sewer
row 5: Jarus, Dige?, Nixon
row 6: Her?, Kers

Close-up on the A. Artists in the fill are:
row 1: someone writing Dock, Dré aka Earth Crusher
row 2: Arek, RCH
row 3: Senck, Block, Atwz
row 4: Sower, Tchug, Astro, Pask
row 5: Serak, Fomer, Zek (starts inside door recess), Dodo Osé, Nesar (partial)
row 6: Kwun, Mersh, Maysr (inside door recess), Fuser, Probe?

Close-up on the N. Artists in the fill are:
row 1: Pito, Tens, Axe Lalime, Pic Paquette, 123Klan, Jaber
row 2: unidentified, Some, Ewol?, Killa EF, unidentified, Fluke, Stare, Ware
row 3: Jaker, Kevin Ledo, unidentified, Tuna, Five Eight, Cemz, F.One
row 4: Legal, Acek?, Peace, unidentified, unidentified, Hsix
row 5: Sage, Guko, unidentified, Casp
row 6: Kemt, Rysk, Loes, Fleo, Maysr?

Close-up on the end section showing a clock character by Scan’s DA crewmate Axe Lalime. Artists in the fill are:
row 2: Ware, Soma
row 3: F.One (partial), Oper, Aper
row 4: Hsix, Otak
row 5: Snipes

Estival de Canes 2018

The second edition of the Estival de Canes (formerly known as the Festival de Canes) was held July 6-8, 2018 in Longueuil. This year the site of the festival was the Parc de la Cité in St-Hubert. This new edition was again curated by Acek and about 25 artists from the greater Montreal participated, mostly from the crews 203, Crazy Apes, K6A, Next Time, RCD and of course Acek’s N2N.

See also:
Festival de Canes – 2017 edition

La seconde édition de l’Estival de Canes (anciennement le Festival de Canes) a eu lieu du 6 au 8 juillet 2018 à Longueuil. Cette année le festival s’est tenu au Parc de la Cité à St-Hubert. Cette nouvelle édition a été supervisée par Acek et a réuni environ 25 artistes du grand Montréal, principalement des crews 203, Crazy Apes, K6A, Next Time, RCD et bien sûr N2N.

A voir aussi:
Festival de Canes – édition 2017

General view of the pond side of the production. At the center is the 203 Crew collective piece, above the water are Crazy Apes Narc, Havok and Akuma, and top right is Serak. Scroll down for close-ups of all of these.

Close-up of the 203 Crew part of the production, a tribute to the mullet (the “coupe Longueuil”). Artists who participated are Flying Eric, Arnold, Borrris, Ekes, Lyfer and Algue.

Close-up on Crane‘s piece above water level.

The Crazy Apes had the water level, this is a close-up of Crane, Narc and Havok.

The Crazy Apes’ Narc, Havok and Akuma.

The other Crazy Apes in this prod is Korb.

Serak is on the top level of the building.

Axe Lalime between his K6A Crew buddies. This is a work-in-progress, more will eventually be added to it. Stay tuned for the final pic.

Fleo also there to represent K6A.

The N2N crew section of the production. From left to right: Acek, Arose and Janek (sideways). See individual close-ups below.

Acek‘s segment of the N2N contribution.

Arose‘s segment of the N2N contribution.

Janek‘s segment of the N2N contribution (work-in-progress shot, final piece photo coming soon).

Dré on letters and character, with Five Eight above.

Royal at ground level with Nor above.

The RCD Crew wall: Yema at ground level, Snok on top letters and Beaf on bird.

Sank on letters and Germdee on character.

Wonez

Rouks


the boards

Four additional 2-sided boards were available onsite for other artists to contribute.

Quatre panneaux recto-verso étaient aussi disponibles pour des artistes voulant contribuer.

Mono Sourcil on character and Hsix on letters (a tribute to German graffiti artist Loomit).

Mad Rats Gaulois (in blue) and Bopor (in pink).

More by the Mad Rats.

Nemo

Germdee

Loyal

Hick

unidentified artist

Mural Festival 2018

This article features the new murals created during the 2018 edition of Mural Festival as well as the other temporary art found on the site (St-Laurent between Sherbrooke and Mont-Royal) while it was closed to traffic from June 7th to 17th.

Six earlier Festival murals have been replaced with new ones this year. These are the Ricardo Cavolo and Insa from the 2017 edition, the XRAY and Ms Teri walls from the 2016 edition, the Young Jarus wall from the 2015 edition, and the Other mural from the 2013 edition.

You may want to check out this walking tour map connecting all Mural Festival creations and other major murals in the area.

Cet article présente les nouvelles murales créées dans le cadre de l’édition 2018 du Festival Mural ainsi que les oeuvres temporaires trouvées sur le site (St-Laurent entre Sherbrooke et Mont-Royal) pendant la tenue de l’événement du 7 au 17 juin.

Six murales ont été remplacées par de nouvelles cette année: celles de Ricardo Cavolo et de Insa de l’édition 2017, celles de XRAY et de Ms Teri de l’édition 2016, celle de Young Jarus de l’édition 2015 ainsi que celle de Other datant de l’édition 2013.

Vous êtes invités à jeter un coup d’oeil à cet itinéraire pédestre reliant toutes les murales produites dans le cadre de toutes les éditions du Festival ainsi que les autres créations majeures dans le même quartier.


the murals

Michael Reeder, who also supplied the Festival’s artwork for this year’s edition (as seen on the top banner of this post).

Demsky

Tristan Eaton

Saner

Drew Merritt

Stare

Waxhead. See below for close-ups of this huge contribution.

Close-up of Waxhead‘s huge contribution.

One more close-up of Waxhead‘s huge contribution.

Waxhead‘s wall also includes a guest appearance of Ekes on letters.

Jeremy Shantz. See below for a ‘fenceless’ close-up of Fonki and Serak‘s tribute to Scaner at the base of the mural.

Tribute to Scaner by Fonki and Serak, a detail of Jeremy Shantz‘s wall (see above).

Axe Lalime

Smithe

WhatIsAdam

Ben Eine

A collaboration between Poni and Cyrielle Tremblay.

Sandra Chevrier

Le Monstr

LSNR

Sara Erenthal

Cryptik

This Marc Sirus wall was not on the official programme but it was still part of the festival.


ASVP’s sidewalk pieces

In 2018 it was ASVP‘s turn to supply the sidewalk pieces in the Mural zone. He did seven in total, all on St-Laurent between Milton and St-Joseph.

En 2018 c’était au tour de ASVP de créer les pièces de trottoir pour le Festival Mural. Il en créé sept, toutes sur St-Laurent entre Milton et St-Joseph.


vehicles

The 123Klan painted the outside of this shuttle that brings people to the Alouettes (football) games. Two more buses were done during the festival but I was not able to photograph them.

SBU One, MSHL and Naimo collaborated on this truck for a Rosemont café. The side here is mostly by SBU One with a bit by MSHL, and the back is all by MSHL. See below for the opposite side mostly by Naimo.

This is Naimo‘s side of the above truck for a Rosemont café. SBU One and MSHL have also contributed a bit to this side.


information/ad boards

Every year the backs of the Festival’s many information and advertisement boards are painted by a selection of mostly local artists, a great way to showcase a lot of additional Montreal talent. A few are missing from the gallery below as I was unable to photograph them before they got tagged.

A chaque année le revers des panneaux d’information et de publicité du Festival sont peints par divers artistes locaux, une excellent initiative permettant de présenter une grande quantité de talent montréalais. Quelques pièces, que je n’ai pas eu la chance de photographier avant qu’elles ne soient tagguées, manquent à la galerie ci-dessous.

Mr Crocks and Kwartz collaboration.

Nikki Kuentzle

Yumar

MC Grou

Max Prevo

Raphael Dairon

Alice Demee

Carolane Bélanger

Dominique Montesano

Geneviève Bigué

Jo Mendel

Julia GR


‘your face here’ boards

Just like the info/ad boards above, these ‘your face here’ boards are great canvases for local artists to show their craft during the festival. I’ve only photographed a few of these this year.

Tout comme les revers de panneaux d’information et publicitaires ci-dessus, ces panneaux permettent à des artistes locaux de montrer leur talent pendant la durée du festival. Je n’ai malheureusement photographié que quelques uns cette année.

Mirabolle

Alexis Vaillancourt

Montreal Hippodrome

In 2009, after more than 100 years near the corner of Décarie and Jean-Talon, the Montreal Hippodrome (formerly known as Blue Bonnets) closed its doors. The site comprised mainly a huge race track for horses, with on one side a main building including bleachers, betting rooms, bars and restaurants, and on the other side, various stables and sheds.

It didn’t take very long following the closing of the Hippodrome for graffers and other artists to hit the abandoned buildings. While the stables and some of the sheds were immediately taken over, the main building remained off-limits. Although there was security on site, it was generally lax in the supervision of the abandoned stables. This was not the case for the main building; it was impossible to approach it without security showing up. It remained off-limits until the beginning of 2018 when, a few months away from a planned demolition to make space for a complex of condos and commercial buildings, security appears to have been dropped.

As it had become the holy grail of abandoned buildings in Montreal, following the disappearance of security it wasn’t long before graffers finally made it inside the main building. The first ones appear to have been Shok, Sewk and Arek, in early March 2018. Through social media the word quickly spread and within a few weeks the spot was completely taken over. The party lasted for about three weeks until late March when a fence was put up around the whole site and everything, including most the stables this time, became off-limits again. The city supplied security from the SPVM, so very few writers and explorers tried to make it inside after that.

The photos of graffiti and other artistic pieces from the Hippodrome are split over three posts:

  • the main building
  • the 2 saddling stables (to be published soon)
    (where the horses are brought for preparation before racing)
  • the 6 regular stables (to be published soon)
    (where the horses are kept in stable boxes when not racing)

En 2009, après plus de 100 ans près du coin Décarie/Jean-Talon, l’Hippodrome de Montréal (anciennement Blue Bonnets) a fermé ses portes. Le site de courses de chevaux consistait principalement en une grande piste avec d’un coté l’édifice principal incluant estrades, salles de paris, bars et restaurants, et de l’autre côté diverses écuries et hangars.

Suite à la fermeture de l’Hippodrome, les graffeurs et autres artistes ont immédiatement envahi l’endroit. Les écuries et hangars ont été les premiers à avoir été explorés. Cependant l’édifice principal est demeuré inaccessible. Bien qu’il y ait eu de la sécurité sur le site, celle-ci était généralement tolérante autour des écuries. Par contre, c’était tout le contraire en ce qui concerne l’édifice principal, il était impossible de l’approcher avant l’arrivée d’un.e agent.e de sécurité. L’édifice est ainsi demeuré inaccessible jusqu’au début de 2018 quand, à quelques mois d’une démolition longtemps planifiée, les autorités semblent avoir abandonné la sécurité.

Puisque cet édifice principal était devenu le spot le plus convoité par les graffeurs à Montréal, suite à l’interruption des services de sécurité ceux-ci ont pris l’endroit d’assaut. Les premiers à y avoir accédé semblent avoir été Shok, Sewk et Arek, en mars 2018. Via les médias sociaux la nouvelle s’est rapidement répandue et en l’espace de quelques semaines plusieurs douzaines d’artistes y ont laissé leur marque. La fête a duré environ 3 semaines, jusqu’à la fin de mars quand une cloture a été installée autour du site. L’édifice principal ainsi qu’une partie des écuries sont alors redevenues inaccessibles. La sécurité étant assurée cette fois par le SPVM, très peu de graffeurs et d’explorateurs urbains ont tenté d’y pénétrer par la suite.

Les photos de graffitis et autres pièces artistiques trouvées à l’Hippodrome sont présentées ici en trois sous-sections:

  • l’édifice principal
  • les 2 écuries de réchauffement (publié sous peu)
    (où les chevaux étaient préparés en vue d’une course)
  • les 6 écuries régulières (publié sous peu)
    (où les chevaux étaient gardés entre les courses)

Bonar

To see much more than what this spotlight features, and because most of Bonar’s best street work was done outside Montreal, check out olivierbonnard.com as well as his Instagram page.

Pour en voir plus que ce que ce profil de l’artiste Bonar présente, et parce qu’il est très actif hors de Montréal, vous êtes invités à visiter olivierbonnard.com ainsi que sa page Instagram.


Pieces are shown in approximate reverse chronological order, so the most recent are at the top.

Les pièces sont présentées en ordre chronologique inverse approximatif, de la plus récente à la plus vieille que j’ai eu la chance de photographier.

In Hochelaga. See below for close-up detail.

Detail of the above Hochelaga wall.

In Mile End.

In Rosemont.

In Petite-Patrie.

Temporary wall in the Village.

At the back of a downtown pub. This is Bonar’s second wall at this spot, scroll down for his first.

With Opire on the side of a Plateau house awaiting demolition.

Bonar on the left and Mathieu Connery on the right, for the Van Horne Station block party.

Rooftop piece over St-Laurent.

With Opire for the 2015 edition of Chromatic.

Bonar and Opire‘s contribution to the 2015 edition of Mural Festival.

Bonar on character and Les hommes de lettres on calligraphy.

Bonar’s contribution to the Cabane à sucre secret gallery.

For the 2014 edition of the Under Pressure Festival.

Bonar (above) and Birdo (unfortunately partially obstructed) in a McGill Ghetto alley.

Bonar on wall, Algue (door, first garage) and Nixon (second garage).

At the back of a downtown pub. This is Bonar’s first wall at this spot, scroll up for his second.

Bonar’s wall for the 2013 edition of Mural Festival.

Top 100 murals and other painted street art of 2017

This image gallery brings together 100 of the best murals and other painted street art pieces of 2017 in Montreal. The selection was done partly from my own personal favourites but mostly from those of my followers on Instagram. Of course this list was put together from what I was actually able to photograph, so keep in mind that it may lack some great work that just slipped between the cracks.

It was already difficult selecting 100 ceations, it was impossible to sort them in order of preference, so they are shown here in alphabetical order. To ensure that the list wasn’t filled with only work from a few very popular artists, I have set a maximum of 4 pieces per artist.

See also:
Top 75 pasted street art of 2017
Top 200 graffiti pieces of 2017

Cette galerie-photo présente 100 des meilleures murales et autres pièces de street art peint de 2017 à Montréal. La sélection inclut mes pièces préférées mais surtout celles des gens qui me suivent sur Instagram. Cette liste a bien sur été créée à partir de ce que j’ai eu la chance de trouver et de photographier, ce qui signifie que quelques chef d’oeuvres de 2017 pourraient ne pas y figurer.

C’était déjà trop difficile de choisir 100 pièces, je n’ai pas été en mesure de les présenter en ordre de préférence et elles apparaissent ci-dessous en ordre alphabétique. Pour que cette liste ne soit pas totalement accaparée par quelques artistes populaires, j’ai fixé un maximum de 4 pièces par personne.

Voir aussi:
Top 75 collages street art de 2017
Top 200 pièces graffitis de 2017


1010‘s contribution to the 2017 edition of Mural Festival.

Adida Fallen Angel‘s contribution to the Alley Cats prod in Rosemont.

Ankh One and Benny Wilding collaboration in Verdun. The white discs over the mural spell out the word MULTICULTUREL. Scroll down for more by Benny Wilding under his name and more by Ankh One under ‘Monk.e’. Both artists have also made it into the Top 200 graffiti pieces of 2017 (Benny Wilding is found there under ‘Cemz’).

Astro‘s tribute to Scaner at the Rouen legal graffiti tunnel.
(Also visible above is an older piece by Kare)

Astro in a Rosemont alley.

Axe‘s front wall for the RDV production which he curated in the Plateau.

A tribute to Scaner by Axe in the South West.

Axe piece in the South West. Scroll down for more by Axe under ‘Dodo Osé’ and under ‘K6A’. He has also made it into the Top 200 graffiti pieces of 2017.

MC Baldassari and Aude Maeva for the 2017 edition of the Under Pressure Festival.

Birdcap in Petite-Patrie.

Elizabeth Blancas from the 2017 edition of Unceded Voices.

Bonar in Petite-Patrie.

Bonar in Rosemont. Scroll down for more by Bonar below under ‘Opire’.

Harry Bones in upper Plateau.

Harry Bones in Rosemont.

Harry Bones at the Papineau legal graffiti wall.

Harry Bones‘ contribution to the Scan You Rock mega-prod. Harry Bones has also made it into the Top 200 graffiti pieces of 2017 (under ‘Scaner’ and ‘Soten’).

Borrris and Arnold collaboration in the Plateau. The two of them have also made it into the Top 200 graffiti pieces of 2017 (under ‘203’).

A collaboration between Botkin, Borrris, Arnold and Marc Sirus in St-Henri. See below for 2 close-ups.

Close-up of the above long wall by Botkin, Borrris, Arnold and Marc Sirus in St-Henri.

Close-up of the above long wall by Botkin, Borrris, Arnold and Marc Sirus in St-Henri.

Botkin wall in Verdun, for Mu.

Jessica Canard and Dayna Danger for the 2017 edition of Unceded Voices in St-Henri.

Ricardo Cavolo‘s contribution to the 2017 edition of Mural Festival.

A beautiful piece in the plateau by Tel Aviv’s Dede.

Dodo Osé‘s contribution to the 2017 edition of Mural Festival.

Dodo Osé in Ville St-Laurent.

Dodo Osé and Axe collaboration in the South West. Scroll down for more by those two below under ‘K6A’. There’s also more Axe in solo above, under his name. Both artists have also made it into the Top 200 graffiti pieces of 2017.

Earth Crusher for Ashop, downtown Montreal.

Earth Crusher from the RDV prod curated by Axe.

Elfu on truck side.

The most photographed mural in Montreal in 2017 is also the city’s biggest one ever. This is El Mac and Gene Pendon‘s tribute to Leonard Cohen downtown Montreal. Produced by Mu.

Ron English‘s contribution to the 2017 edition of Mural Festival.

2017 was a great year for Fluke. This mural is on a St-Michel school.

Tribute to Bad News Brown by Fluke in the Quartier des Spectacles.

Fluke‘s contribution to the 2017 edition of Mural Festival is a tribute to Jackie Robinson.

Flying Eric in a Rosemont alley.

Flying Eric on an abandoned Plateau house.

Germdee at Plaza Walls.

Germdee in a Plateau alley. Germdee also made it into the Top 75 pasted street art of 2017.

Mono Gonzalez in Villeray.

Above 3 photos: Mono Gonzalez over 3 sides of a Rosemont park building.

Gwan (left) and Eric Williams (right) in the Akira’s Alley prod. Gwan also made it into the Top 75 pasted street art of 2017.

Li-Hill‘s painted installation for the 2017 edition of Mural Festival. See below for close-ups.

Close-up of Li-Hill‘s contribution to the 2017 edition of Mural Festival.

Closer-up of Li-Hill‘s contribution to the 2017 edition of Mural Festival.

Hsix‘s contribution to the Scan You Rock mega-prod. Hsix also made it into the Top 200 graffiti pieces of 2017.

Everyone knows about the 2 huge tributes to Leonard Cohen by Kevin Ledo and El Mac+Gene Pendon. This one by Jee is much smaller in scale but still a great piece of art!

Jest in a central Montreal alley. Scroll down for more by Jest, under ‘Sloast’.

Jonathan Bergeron aka Johnny Crap in Hochelaga.

K6A‘s wall at the Festival de Canes in Longueuil, featuring Axe, Dodo Osé, Fleo, Saer, Serak, Monk.e and OstieOne. See below for 2 close-ups. There’s more by Axe, Dodo Osé and Monk.e in this yearly list under their respective names. The latter three as well as Fleo and Serak have also made it into the Top 200 graffiti pieces of 2017.

Close-up of the above K6A wall for the Festival de Canes.

Another close-up of the above K6A wall for the Festival de Canes.

Kor (cat) and Hoar (letters) in a Rosemont alley. Hoar has also made it into the Top 200 graffiti pieces of 2017.

Kor‘s part in the Alley Cats production in a Rosemont alley which he curated.

Korb over a background by Axe in the RDV production curated by the latter artist. Korb has also made it into the Top 200 graffiti pieces of 2017.

Above 2 photos: a segment of the Akira Alley prod in a Plateau alley, featuring
first photo: Labrona (left), Futur Lasor Now (middle) and Andy Dass (top right)
second photo: Cryote (left and bottom right) and Waxhead (door, around door and top right). Scroll down for more by the latter two artists under ‘Waxhead’. There’s also more by Waxhead under ‘SBU One’. Labrona, Futur Lasor Now and Waxhead also made it into the Top 75 pasted street art of 2017.

Labrona redid the base of one of his classic Plateau murals.

Kevin Ledo‘s huge tribute to Leonard Cohen from the 2017 edition of Mural Festival.

Loyal in Rosemont.

Mad C‘s contribution to the 2017 edition of Mural Festival.

Mastrocola in a Plateau alley. Notice the garbage container in camouflage.

Mastrocola in the Plateau.

A long Mateo mural at the Marché Jean-Talon.

Mateo‘s tribute to Denise Pelletier in Centre-Sud, produced by Mu.

Monk.e, Fonki and Ankh One collaboration mural for the 2017 edition of the Under Pressure Festival. Scroll up to Ankh One’s name for more by this artist. Monk.e and Ankh One have also made it into the Top 200 graffiti pieces of 2017.

Monk.e‘s solo contribution for the Festival de Canes in Longueuil. He also participated in the K6A crew mural next to his, scroll up this list to ‘K6A’ to view.

Monk.e mural in a Rosemont alley.

Monk.e at the Papineau legal graffiti wall.

Mono Sourcil‘s contribution to the 2017 edition of Mural Festival. See below for close-ups in three segments.

Segment 1/3 of Mono Sourcil‘s long wall for the 2017 edition of Mural Festival.

Segment 2/3 of Mono Sourcil‘s long wall for the 2017 edition of Mural Festival.

Segment 3/3 of Mono Sourcil‘s long wall for the 2017 edition of Mural Festival.

Mono Sourcil in a Rosemont alley. Mono Sourcil also made it into the Top 75 pasted street art of 2017.

Nelio mural for Mu in St-Henri.

Onur‘s contribution to the 2017 edition of Mural Festival, in Chinatown. This one was painted with blacklight-sensitive paint, see nighttime shots of it on the artist’s webpage.

Opire and Bonar collaboration on the wall of a Plateau house awaiting demolition. Scroll up to Bonar’s name for some solo work by this artist in this yearly rundown. Opire has also made it into the Top 200 graffiti pieces of 2017 (under ‘203’).

Paynt in a Rosemont alley.

Paynt in a Rosemont alley.

Le Renard Fou at the PSC legal graffiti wall. Le Renard Fou also made it into the Top 75 pasted street art of 2017.

Rouks at the Rouen legal graffiti tunnel for the year’s final Sinojam.

Above 2 photos: Rouks‘ part in a collaboration mural with Monk.e on letters. The whole mural has made it into the Top 200 graffiti pieces of 2017.

Rouks at the Rouen legal graffiti tunnel.

Jessica Sabogal for the 2017 edition of Unceded Voices in St-Henri.

Ruben Sanchez‘s contribution to the 2017 edition of Mural Festival.

SBU One‘s contribution to the 2017 edition of Mural Festival.

2017 was a busy year for SBU One. Click to zoom in on this long alley piece found in Rosemont.

SBU One on a Plateau house.

SBU One (left) and Waxhead (right) collaboration in a Rosemont alley. Scroll down to ‘Waxhead’ and up to ‘Labrona’ for more work by Waxhead in this yearly list. The latter artist also made it into the Top 75 pasted street art of 2017.

Scribe in a Rosemont alley.

Scribe‘s contribution to the 2017 edition of Mural Festival. Scribe has also made it into the Top 200 graffiti pieces of 2017.

Off-Muralfest piece by Secret in a central back alley.

Seork piece in Rosemont.

Seork at the PSC legal graffiti wall.

Sloast and Jest collaboration on a Plateau garage door. Scroll up to Jest’s name in this list for some solo work by this artist. Sloast also made it into the Top 75 pasted street art of 2017.

Striker‘s contribution to the 2017 edition of the Under Pressure Festival.

Taka Sudo in St-Henri.

Tchekon in a Plateau alley, echoing the theme of a less-abstract mural of his found nearby.

Tiburon‘s contribution to the 2017 edition of the Under Pressure Festival.

Turf One aka Jean Labourdette in a central Montreal alley, for Art Gang.

Stefan Vandal business front in Hochelaga.

We were spoiled in 2017 to have had great artist Vhils accept an invitation from Art Gang. Vhils has this unique and recognizable approach in which he first paints his piece, then etches/chisels out the painted areas, leaving a textured relief mural.

One of Ware’s contribution to the Time Is Gold prod, Scaner‘s last before he passed away.

Waxhead and Cryote‘s great collaboration in the Plateau.

Waxhead and Cryote‘s joint collaboration for the Alley Cats prod in Rosemont. Scroll up to ‘Labrona’ above for more work by these 2 artists. There’s also more Waxhead above under ‘SBU One’ as well as in the Top 75 pasted street art of 2017.

WhatIsAdam in Mile-Ex.

Benny Wilding‘s figurative segment on a long wall tribute to Scaner (also involving Stare and Zek – not pictured here).

Benny Wilding‘s nostalgia mural at Plaza St-Hubert. He has also made it into the Top 200 graffiti pieces of 2017 (under ‘Cemz’).

Sophie Wilkins in St-Michel.