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Tributes to Scaner

This post is a photo gallery of tributes to Scaner that have appeared in Montreal since the writer passed away on 9 September 2017. Most of the creations are by writers doing Scan’s name, but I also found a few street art/figurative pieces celebrating Montreal’s graffiti king.

Artists did not wait for Scaner to be gone before celebrating him. A section at the end of this post features pieces honouring him after the news came out that he was terminally ill.

Related posts:
photo spotlight on Scaner’s work
Scan You Rock
Time Is Gold

Voici une gallerie-photo d’hommages à Scaner trouvés à Montréal depuis le décès de ce dernier le 9 septembre 2017. La majorité des créations sont par des graffeurs écrivant le nom de Scaner, mais j’ai aussi trouvé quelques pièces de street art et autres pièces figuratives célébrant celui que la communauté Montréalaise du graff appelle son ‘king’.

Certains artistes n’ont pas attendu le départ de Scaner pour le célébrer. Une section au bas de cet article présente des pièces en son honneur créées après que la nouvelle se soit répandue qu’il ne lui restait que peu de temps.

Articles connexes:
gallerie-photo de l’oeuvre de Scaner
Scan You Rock
Time Is Gold


Huge chrome tribute done on an Art Gang wall the weekend of Scaner‘s funeral. According to them, contributors include Kem5, Selek, Bacon, Stare, Tens, Snikr, Smak and Some.

This huge Scaner tribute on an abandoned Plateau house was done a day or two after Scaner passed away. Artists asked to remain anonymous.

Tribute to Scaner by Sober, Benny Wilding, Mersh, Tyke and Sage at the 2017 edition of the Lachine graffiti jam.

One more tribute from the 2017 edition of the Lachine graffiti jam, this one by Johste at ground level and Joek above.

Huge tribute produced by Art Gang, desinged by Scaner himself and done by Snipes and Senck.

One more segment of the above Art Gang tribute, this one on the front of the building.

Tribute to Scaner by Casper in Hochelaga. Also visible above is Amonizer.

By Serack in Hochelaga. Presumably also involves Axe.

Kane‘s tribute at the Papineau legal graffiti wall.

Crazy Apes tribute truck side by Korb done during the 2017 edition of the Hip Hop You Don’t Stop festival. See below for other sides.

The opposite side to the above Crazy Apes tribute truck is by Narc. See below for more.

The back door of the above Crazy Apes tribute truck is by Fezat.

One more Scaner tribute truck from the 2017 edition of Hip Hop You Don’t Stop, this one by K6A artists. This side is by Fleo, scroll down for the other sides.

This is Monk.e‘s side of the above K6A tribute truck to Scaner. See below for more.

The back of the above K6A tribute truck to Scaner was done by Earth Crusher / Dré.

Tribute by Axe in the South West.

Tribute by Astro at the Rouen legal graffiti tunnel. If you look closely you can make out the letters of Scan‘s name amongst the characters.
(Also visible above is an older piece by Kare)

Chrome tribute by Tuna on an abandoned Plateau house.

Chrome tribute in the Plateau, artist unidentified.

Tribute by Meor in a Plateau alley.

Pest doing Scaner‘s iconic Mr Can Do at the Rouen legal graffiti tunnel.

Clever tribute to Scaner by Arek found at the Papineau legal graffiti wall.

Chrome tribute to Scaner by Ekual in an abandoned place in Côte des Neiges.

Tribute by Lect found at the Rouen legal graffiti tunnel.

Tribute by an unidentified writer, found at the Papineau legal graffiti wall.

Tribute by Lost Claws in the form of a wheatpaste beneath one of Scaner‘s Mr Can Do’s.

Sticker tribute, unidentified artist.


Before

Some artists did not wait for Scaner to be gone before celebrating him. This section features pieces honouring him after the news came out that he was terminally ill.

Certains artistes n’ont pas attendu le départ de Scaner pour le célébrer. Cette section présente des pièces en son honneur créées après que la nouvelle se soit répandue qu’il ne lui restait que peu de temps.

Tribute by Yekso whilst in town for the 2017 edition of Under Pressure.

By Shok in an empty lot.

Monk.e on letters and Tibúron on character, in Rosemont.

Small piece by Persue dedicated to Scaner, next to an actual throw by the celebrated artist.

Skor doing Scaner‘s name at the Papineau legal graffiti wall. This was actually done a bit more than a year before Scaner passed away.

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Fluke

Fluke is one of those artists who started off in graffiti and has subsequently become one of the key players in the Montreal urban art scene. The artist learned his trade in the world of graffiti in the early 1990s, at the tender age of 9! In 2009 he co-founded A’Shop, “an artist-run production company specialized in graffiti murals, street art and urban aesthetics” (source: ashop.ca). He is still the president of the company, as well as one of its main artists.

A’Shop, which employs a handful of artists among the best of this city, has since changed the face of urban art in Montreal with the creation of an amazing number of murals and other artistic endeavours. And for the past few years the company has started shining outside Montreal thanks to major creations done elsewhere in the country as well as in the USA and Europe.

To see more of Fluke’s work than what I was lucky enough to photograph, have a look at his Instagram and Facebook pages. To find out more about A’Shop, check out ashop.ca as well as their Instagram and Facebook pages.

Fluke est un de ces artistes qui se sont développés dans le monde du graffiti et sont depuis devenus des acteurs incontournables de la scène d’art urbain montréalaise. L’artiste a fait ses premières armes dans le monde du graffiti dans les années 1990, à l’âge de 9 ans. En 2009 il a co-fondé A’Shop, “une compagnie de production d’artistes autogérés spécialisée en peinture murale, en street art et en esthétique urbaine” (source: ashop.ca). Il en est toujours le président ainsi qu’un de ses principaux créateurs.

A’Shop, qui emploie une poignée d’artistes parmi les meilleurs en ville, a depuis changé le visage de l’art urbain à Montréal grâce à la création d’un nombre impressionnant de murales et autres interventions de nature artistique. De plus, depuis quelques années la compagnie a commencé à rayonner à l’extérieur de Montréal, avec des interventions ailleurs au pays ainsi qu’aux Etats-Unis et en Europe.

Pour en voir plus sur le travail de Fluke que ce que j’ai eu la chance de photographier, jetez un coup d’oeil à ses pages Instagram et Facebook. Pour en apprendre plus sur A’Shop, visitez ashop.ca ou ses pages Instagram et Facebook du collectif.

figurative solo work

Tribute to Bad News Brown to replace an earlier one (see ‘Figurative collaborations’ section below).

Huge mural over two walls of a St-Michel school.

Tribute to Jackie Robinson for the 2017 edition of Mural Festival.

figurative collaborations

Most collaborations below are A’Shop projects.

La plupart des collaborations ci-dessous sont des projets d’A’Shop.

With Ankh One for A’Shop in Hochelaga.

A’Shop mural in the Plateau, designed by Fluke and done with Zek and Benny Wilding.

The Carey Price piece (goalie) is a collaboration with Axe Lalime. Also visible on the left are letter pieces by Maniak (top) and Zek (ground level).

A’Shop‘s mural for the 2013 edition of Mural Festival features Fluke, Axe Lalime, Zek and Apashe.

In just a few years this iconic NDG mural has become the most internationally famous one in Montreal. By A’Shop featuring Fluke, Axe Lalime, Phile, Zek and Dodo Osé.

Tribute mural to Bad News Brown by A’Shop featuring Fluke, Saer and Zek. After having been painted over, a new tribute was done in 2017 (see Fluke solo section above).

Fluke and Axe Lalime for A’Shop on one of the pillars of the Van Horne|Rosemont overpass.

A’Shop mural in the Plateau featuring Dodo Osé, Phile, Zek and Fluke.

letters

For the Chemin Vert production in the summer of 2016. The prod was actually organised by Fluke.

Zek (left) and Fluke (right) for Plaza Walls.

K6A‘s wall for the 2016 edition of the Under Pressure Festival features Fluke (bottom right) as well as Axe Lalime (racoons), Serak (bottom left), Otak (middle left), Satyr (top left), Fleo (top right) and Dodo Osé (middle right). See close-up on Fluke’s piece below.

Close-up on Fluke’s piece on the above wall from the 2016 edition of the Under Pressure Festival.

Fluke’s part in a 123Klan production in the Plateau. Character is by Aiik.

Earth Crusher character on a temporary A’Shop wall, surrounded by tags from both Earth Crusher and his alter ego Dré, as well as Zek, Fluke (bottom right), Ankh One, etc.

At the Rouen legal graffiti tunnel.

On a container near the A’Shop offices.

Fluke’s part in a A’Shop/123Klan production in the Plateau.

Shadow (top letters), Zek (bottom left letters), Fluke (bottom right letters) and Ankh One (figurative) on A’Shop‘s wall in Hochelaga.

Nature taking over this older Fluke letter piece on a K6A wall in St-Henri.

Shok

Shok is one of the handful of Montreal writers who started off in the nineties and never stopped being active to this day. He has been part of the crew HYH in the past but nowadays only represents SIK. He has very little official presence on the internet, to see much more than what I managed to photograph, check out his Instagram page.

Shok est parmi la poignée de writers montréalais qui ont commencé dans les années 1990 et qui sont toujours très actifs aujourd’hui. Il a déjà signé pour le crew HYH mais depuis plusieurs années maintenant il ne représente que SIK. Il est très peu présent sur l’internet, pour en voir beaucoup plus que ce que j’ai eu la chance de photographier, jetez un coup d’oeil à sa page Instagram.


pieces and throws

Pieces in this section are shown in approximate reverse chronological order, so the most recent are at the top.

Les pièces de cette section de la galerie sont présentées en ordre chronologique inverse approximatif, de la plus récente à la plus vieille que j’ai eu la chance de photographier.

In Rosemont.

In an non-urban area of Montreal.

In an non-urban area of Montreal.

In an non-urban area of Montreal.

One of two contributions to the Time Is Gold production.

Shok’s other contribution to the Time Is Gold production.

Wall of flops from the Time Is Gold production featuring Shok amongst many others (in yellow, fourth row from the top, third from the left).

In Rosemont.

In Hochelaga.

On a roof in Ahuntsic.

In an abandoned building in Côte-des-Neiges.

In an abandoned building in Côte-des-Neiges.

Birthday wishes to Scaner, in an empty lot.

In an abandoned building in Côte-des-Neiges.

Shok’s contribution to the Scan You Rock production.

In an abandoned building in Côte-des-Neiges.

In an abandoned building in Côte-des-Neiges.

In an alley in Ahuntsic.

Rooftop piece at Plaza Walls.

Contribution to the 2016 edition of Amalgam Festival.

In a Ahuntsic alley.

In an abandoned building in Côte-des-Neiges.

In the abandoned “Jailspot”.

In a Ahuntsic alley.

At the Project45 skatepark.

In an abandoned building in Côte-des-Neiges.

At the Papineau legal graffiti wall.

In the abandoned “Jailspot”.

In the abandoned Transco.

In the abandoned Transco.

In the abandoned Transco.

In the abandoned Transco, with Tuna.

In the abandoned Transco.

In the abandoned Transco.

In the abandoned Transco.

On the roof of the abandoned Transco.

In the gymnasium of an abandoned Plateau school before it got demolished.

In the abandoned Transco.

In the abandoned Transco.

Part of the unofficial Silverjam in Rosemont.

Truckside done during the 2015 edition of Hip Hop You Don’t Stop.

In the abandoned Transco.

In the abandoned Transco.

In the abandoned Transco.

In the abandoned Transco.

In the abandoned Transco.

Outside the abandoned Transco.

On the roof of the abandoned Transco.

In Petite-Patrie.

On the roof of the abandoned Transco.

In the abandoned “Jailspot”.

In a Ahuntsic alley.

Character by Shok to go with Tuna‘s letter piece, in Ahuntsic.

In a Ahuntsic alley.

Shok’s part in a multi-artist production in Ahuntsic.

Trackside chrome.

In the abandoned “Jailspot”.

In the abandoned “Jailspot”. Also visible above is Crops.

In the abandoned “Jailspot”.

Part of a multi-artist production in Rosemont.

Outside the abandoned “Jailspot”.

In the abandoned “Jailspot”.

Outside the abandoned “Jailspot”.

In a Ahuntic alley.

In an empty lot in Hochelaga.

Ether TFB (top left), Mersh (top right) and Shok (bottom) for the 2014 edition of the Under Pressure Festival.

Collaboration with Dfek on the front of the Ste-Elisabeth bar.

Shok (above), Dfek (ground left) and Omse (ground right) in the Plateau.

Shok’s part on a multi-artist wall in the Plateau.

Shok (ground level) and Scaner (above) in the Plateau.

Trackside roller in Mile-End.

Shok’s part on a multi-artist wall in Centre-sud.

Shok’s part on a classic multi-artist wall in Villeray.

On the side of a NDG business.

Shok’s part in a collaboration with Sake in Ville-Emard.

Shok’s part on a multi-artist wall in the Plateau dating back to 2001!

Shok and Croki collaboration from 1998!

tags

These tags were found in abandoned places awaiting demolition.

stickers

Time Is Gold

Time Is Gold is the name of the last production supervised by Scaner before he passed away in early September 2017. Most of his closest buddies in crews KG, DA and Four S as well as a few other friends from the Montreal graffiti scene were invited by him to contribute. The production was halfway completed at the time of Scaner’s death, so it then turned into a tribute to the writer the Montreal graff community calls their king. A candle memorial at the base of his unfinished piece was actually where his friends would congregate for a few weeks following the day Scaner passed.

The production is found on the back and side walls as well as around the playground of a private high school in central/eastern Montreal. The premises are therefore only partially accessible and should be respected.

Time Is Gold est le nom de la dernière production dirigée par Scaner avant son décès au début de septembre 2017. La plupart des ses frères dans les crews KG, DA et Four S ainsi que quelques très bons amis de la scène montréalaise du graff ont répondu à son invitation de contribuer à la production. Puisque que celle-ci n’était qu’à demi complétée au moment du décès de Scaner, elle est par la suite devenue un hommage à l’artiste que la communauté montréalaise du graff nomme maintenant son “king”. D’ailleurs un mémorial à la chandelle à la base de sa dernière pièce demeurée inachevée était l’endroit où ses amis sont venus se recueillir et lui rendre hommage pendant quelques semaines suite à son départ.

La production se trouve sur les murs arrière et latéral ainsi qu’autour du terrain de jeu d’une école privée du centre-est de Montréal. Celle-ci n’est conséquemment que partiellement accessible et le coté privé de l’endroit devrait être respecté.

The production’s main wall. Scaner did the outlines of his letters before he passed away. The fill and background of that area were completed by his brothers in KG, Stare and Zek. On the left is Scaner’s crewmate in the Four S’s, Harry Bones.

Top left on the adjacent wall is Cemz.

Serack

Beneath Cemz and Serack is Dodo Osé‘s part.

Sewk (above) and Stare (below).

Ware on letters and mural. More by Ware below.

Axe (top letters and figurative) and Jaber (ground letters). Both have supplied more, scroll down.

Smak

Zek

One more bit by Axe, this is King the squirrel.

Wall of flops featuring Zek, Stare, Deep, Pito, Her, F.One, Jaber, Axe, Some, Shok, Tuna, Oper, Getsa, Zion, Dolar, Casp, Smak, Morz, Peace, Expos, Nixon and many others (feel free to let me know about anyone I have been unable to identify).

Tribute to Jays by Jaker, Peace and Legal (almost completed – finished shot will be put up when the wall is completed).

One more by Jaber, this time his character.

Soten

Trace

Hoacs

Shok

Mersh

123Klan‘s Scien.

Shok

Ware

Sober

Morz

Soma

Pask

Wase

Long live the King, Scaner

As I am on vacation on the other side of the planet, I have just found out about the passing away of the king of Montreal writers, Scaner. His influence on writers of his generation and the ones who followed is immeasurable. His impact on the local scene and beyond will be felt for years, forever. May he paint those heavenly skies for us to have a great place to come to when our turn comes. Long live the King…

See wall2wallMTL’s photo spotlight on the maestro’s work:
Spotlight on Scaner

Under Pressure Festival 2017

Here’s a photo gallery featuring all the works produced during the 2017 edition of the Under Pressure Festival. For earlier editions see the following posts:
2016 edition
2015 edition
2014 edition
2013 edition.

Cet article-photo présente les oeuvres produites au cours de l’édition 2017 du Festival Under Pressure. Pour les éditions antérieures, voir les articles suivants:
édition 2016
édition 2015
édition 2014
édition 2013.

One of 2 posters for the 2017 edition, by Haks and Jimmy Baptiste.

One of 2 posters for the 2017 edition, by Haks and Jimmy Baptiste.


203 crew wall. The 203 Invader with the munchies is by Opire and the one with the giggles is by Arnold and Borrris. The top letters – actually numbers 203 – are by Naimo, the ground ones by Ekes and all the wraparound is by Lyfer and Ekes plus probably a few more 203s…

Monk.e, Fonki and Ankh One collaboration.

The 123 Klan wall with Scien and Klor on ground level letters and Aiik on top ones.

Rouks (top left), Lapin (top right), Haks (ground left) and Nemo (ground right).

K6A crew wall featuring Axe, Fleo, Dodo Osé, etc. (segment 1/3).

K6A crew wall featuring Axe, Fleo, Dodo Osé, etc. (segment 2/3).

K6A crew wall featuring Axe, Fleo, Dodo Osé, etc. (segment 3/3).

Yekso, Lons, Zyon and Kuby, guests from New Caledonia.

RCD and guests wall featuring, from left to right and top to bottom: Imp, Phere, Sirvis, Snok, Vogue, Yema, Bumpr and Mask. See close-ups of individual pieces below.

Imp

Phere

Sirvis

Snok

Vogue

Yema

Bumpr

Mask

TFS/POM wall featuring, from left to right and top to bottom: Rizek, Apok, Resok, Myrage, Eskro, Serum and EK Sept. See close-ups of individual pieces below.

Rizek and Resok.

Apok and Myrage.

Eskro

Serum (better and unobstructed shot coming).

EK Sept

Anthill Collective wall featuring Capes, Eskae and Speak with guest AboveAsBelow.

UNC wall featuring Meor, Baesr, Getso, Rock and Mine.

Collaboration between SBU One and MSHL.

Scribe on letters, Tchug on central character and Corey Bulpitt on native motifs.

Serna (top), Gaulois (bottom left) and Bopor (bottom right). See close-ups of the two bottom pieces below.

Gaulois

Bopor

Debza

Tibúron

Corey Bulpitt

Kor for his Mon Chat Dans Ta Ville project.

Striker

Tryptich by Adida Fallen Angel.

Ason, with Vogue above.

MC Baldassari and Aude Maeva.

Osmoze

Dalkhafine and Loopkin.

Hoar

Asyn

NEMC / Fabb

Marc-André Giguère

Marc-André Giguère

Le Monstr

Elysanne Tremblay (left) and Le Monstr (right).

Jasp

M’Os Geez

Maliciouz

Tchekon

Tchekon

Chase aka Smile

Wheatpaste by Mono Sourcil (1/2).

Wheatpaste by Mono Sourcil (2/2).

Wheatpaste by Maliciouz (1/3).

Wheatpaste by Maliciouz (2/3).

Wheatpaste by Maliciouz (3/3).

Wheatpaste by Carolina Espinosa (1/3).

Wheatpaste by Carolina Espinosa (2/3).

Wheatpaste by Carolina Espinosa (3/3).

Wheatpaste by Christina Mazzulla (1/2).

Wheatpaste by Christina Mazzulla (2/2).

Closed porn cinema covered with Miss Me wheatpastes. Pasted messages include “To be born with a woman’s body is to bear the unsolicited burden of humanity’s unresolved attitudes towards sex” and “Don’t tell me what to wear”. See below for close-up.

Close-up of some Miss Me wheatpastes from above installation.

SBU One

SBU One was born in France but moved to Montreal in 2004. For many years his street work walked the line between figurative and abstract, never quite one or the other. In the past few years he appears to have been doing a bit more figurative work, as least as far as his street work is concerned. It often features animals and zoomorphic characters and mashups, although it tends to remain closer to abstract when he works with frequent collaborator MSHL. In recent years his notorierity has increased rapidly, leading him to participate to festivals such as Under Pressure and Amalgam and then Mural Festival in 2017.

To see much more than what is featured in the photo gallery below (including studio/gallery work, animation, comics, and a lot of amazing street work outside Montreal), check out sbuone.com as well as his Facebook, Instagram and Tumblr pages.

SBU One est né en France mais habite Montréal depuis 2004. Pendant plusieurs années son art de rue balançait entre le figuratif et l’abstrait, jamais tout à fait l’un ou l’autre. Depuis quelques années l’artiste penche un peu plus vers le figuratif, du moins en ce qui concerne son art urbain. Animaux et personnages zoomorphiques y font des apparitions fréquentes. Ceci étant dit, celui-ci redevient plutôt abstrait lorsqu’effectué conjointement avec son fréquent collaborateur MSHL. SBU One a gagné beaucoup en notoriété ces dernières années, menant à des participations remarquées à des festivals tels que Under Pressure et Amalgam, et à l’édition 2017 du Festival Mural.

Pour en voir bien plus que ce qui est présenté dans la gallerie-photo ci-dessous (incluant des oeuvres en studio/gallerie, de l’animation, de la bande dessinée et beaucoup d’oeuvres urbaines géniales hors-Montréal), jetez up coup d’oeil à sbuone.com ainsi qu’à ses pages Facebook, Instagram et Tumblr.


murals and other painted pieces

Pieces in this section are shown in approximate reverse chronological order, so the most recent are at the top.

Les pièces de cette section de la galerie sont présentées en ordre chronologique inverse approximatif, de la plus récente à la plus vieille que j’ai eu la chance de photographier.

In Rosemont.

In Rosemont.

In a Rosemont alley (click to zoom in).

SBU One (left) and Waxhead (right) in a Rosemont alley.

In Rosemont.

For the Gatos Callejeros production in a Rosemont alley.

Collaboration with MSHL on the lower (2nd) floor and with Tiburon on the upper (3rd) one. The upper floor was retouched from an earlier SBU-solo piece, scroll down to view.

Collaboration with MSHL for the 2017 edition of the Under Pressure Festival.

Collaboration with Monk.e at the PSC legal graffiti wall. See below for 2 close-ups on SBU One’s parts.

Close-up 1/2 on SBU One’s part in a collaboration with Monk.e at the PSC legal graffiti wall.

Close-up 2/2 on SBU One’s part in a collaboration with Monk.e at the PSC legal graffiti wall.

Collaboration with MSHL in Pointe St-Charles.

Floors 2 and 3 added to the back of this Plateau building. Scroll down for a close-up of Level 1 from a year earlier. Level 2 is a collaboration with MSHL.

Contribution to the 2017 edition of Mural Festival.

On a house awaiting demolition in the Plateau.

Collaboration with Scribe in a Rosemont back alley.

In a Rosemont back alley.

In Petite-Patrie.

Collaboration with MSHL in the Plateau.

SBU One in the Plateau. More was added to this piece the following year, scroll up to view.

SBU One’s contribution to Plaza Walls.

Contribution to the 2016 edition of the Under Pressure Festival.

Contribution to the 2016 edition of Amalgam Festival.

Contribution to the 2016 International Percussion Festival.

Collaboration with MSHL in a Plateau alley.

Collaboration with Waxhead in a multi-artist mural project for Sun Youth. Visible bottom left is one of Starkey‘s wabbits.

A side piece done during the 2016 edition of Mural Festival.

This garage door was done off-Mural Festival in 2016.

Collaboration with MSHL in Mile End.

In St-Henri.

SBU One’s part in a multi-artist production in Old Montreal.

At the PSC legal graffiti wall.

At the PSC legal graffiti wall.

At the PSC legal graffiti wall.

Behind a studio in St-Henri.

Underneath expressway. Photo © SBU One.

With Zdey on the right at the PSC legal graffiti wall. Photo © SBU One.

On the roof of the Omnipac building (now demolished). Photo © SBU One.

In Rosemont. Photo © SBU One.

Photo © SBU One.

Photo © SBU One.

Underneath expressway. Photo © SBU One.

Underneath expressway.

Underneath expressway.

Underneath expressway.

On a concrete block found in an abandoned lot in Hochelaga

Very old piece dated 2006 in the Plateau.


Videshi babaji

SBU One has this recurring character which he calls “Videshi babaji” serving as some sort of logo and which he seems to use in the way graffiti writers would with a throw (quickly sprayed piece with outline and uniform fill). Most of the time the character is a bearded head with a hat, but in at least one instance (top of the gallery below), it was given a whole body. It also often comes with a speech bubble.

SBU One a un personnage récurrent appelé “Videshi babaji” lui servant en quelque sorte de logo, ou d’équivalent du throw (pièce rapidement exécutée ne consistant que d’un contour et un remplissage uniforme) chez les graffeurs. Dans la majorité des cas le perso est une tête d’homme barbu arborant une casquette, mais dans au moins un cas (première entrée dans la gallerie ci-dessous), SBU lui a donné un corps. Le personnage vient souvent avec une bulle de texte (façon bande dessinée).


drawn pieces

Found inside the abandoned Transco.

Found inside the abandoned Transco.


wheatpastes

Most, perhaps all pieces below are in collaboration with MSHL.

La majorité, sinon toutes les pièces ci-dessous sont des collaborations avec MSHL.


stickers