Mural Festival 2019

This article features the new murals created during the 2019 edition of Mural Festival as well as the other temporary art found on the site (St-Laurent between Sherbrooke and Mont-Royal) while it was closed to traffic from June 6th to 16th.

Five earlier Festival murals have been replaced with new ones this year. These are the Demsky and Michael Reeder walls from the 2018 edition, Scribe’s mural from the 2017 edition, and the Natalia Rak and Jonathan Bergeron creations from the 2016 edition.

You may want to check out this walking tour map connecting all Mural Festival creations and other major murals in the area.

Cet article présente les nouvelles murales créées dans le cadre de l’édition 2019 du Festival Mural ainsi que les oeuvres temporaires trouvées sur le site (St-Laurent entre Sherbrooke et Mont-Royal) pendant la tenue de l’événement du 6 au 16 juin.

Cinq murales ont été remplacées par de nouvelles cette année: celles de Demsky et de Michael Reeder de l’édition 2018, celle de Scribe produite au cours de l’édition 2017, et celles de Natalia Rak et de Jonathan Bergeron datant de l’édition 2016.

Vous êtes invités à jeter un coup d’oeil à cet itinéraire pédestre reliant toutes les murales produites dans le cadre de toutes les éditions du Festival ainsi que les autres créations majeures dans le même quartier.


the murals

PichiAvo

Miss Van

Ben Johnston

Germ Dee, with name pieces by Deep (left) and Serak (right) in the bottom corners.

Bryan Beyung

Insane51. This mural is also meant to be seen through the coloured lens of 3D glasses, see below.

The Insane51 mural seen through the red lens of 3D glasses.

The Insane51 mural seen through the blue lens of 3D glasses.

Ola Volo

Leon Keer‘s anamorphic street piece. The piece is painted stretched and distorted, but looks 3D when viewed through the lens of a camera.

Gleo

Nikki Küntzle

Marc-André Lamothe

Spidertag‘s neon mural, only visible after nightfall.

Joshua Vides painted the entirety of this car wash to give it a look straight out of a black and white graphic novel.


the tribute alley to Scan

For the 2019 edition of Mural, a long segment of the graffiti alley behind St-Laurent was dedicated to Scan. Name pieces by the two dozen-plus artists involved are presented below from the left to the right end of the alley.

Pour l’édition 2019 du festival, un long segment de la ruelle graffiti derrière St-Laurent a été dédiée à Scan. Les pièces de la trentaine d’artistes impliqués sont présentées ci-dessous en ordre tel qu’elles apparaissent sur le mur (de gauche à droite).

Ekes

Lyfer

Pito (top), Killa EF (ground).

Shok

Skor

Serak

Awe

Deep

Morz

Some

Soma

Sage (name piece) and Zoltan (ear).

Sober

Axe Lalime (name piece) and Tchug (character).

Zek

Stare

Smak

Guko

Jasp

Vect (in black and blue) and Ewol (in green).

F.One and Ewol doing Scan’s name.

F.One

Legal (ground) and Kwun (above). There is also Jake above those two, but his piece is not yet completed. This photo will be replaced by a definitive one after Jake completes his part.

A bit of bonus material by Odrus, a brazilian writer in town at the time of the festival, and Deep with a gold throw.


Waxhead’s sidewalk pieces

In 2019 it was Waxhead‘s turn to supply the sidewalk pieces in the Mural zone. He did thirteen hopscotch pieces in total, all on St-Laurent between Milton and Laurier.

En 2019 c’était au tour de Waxhead de créer les pièces de trottoir pour le Festival Mural. Il a créé treize marelles, toutes sur St-Laurent entre Milton et Laurier.


information/ad boards

Every year the backs of the Festival’s many information and advertisement boards are painted by a selection of mostly local artists, a great way to showcase a lot of additional Montreal talent.

A chaque année le revers des panneaux d’information et de publicité du Festival sont peints par divers artistes locaux, une excellente initiative permettant de présenter une grande quantité de talent montréalais.

Emily Read

Andy Dass

M’Os Geez

Nikki Küntzle. Nikki was actually on the programme and did her own mural, scroll up to view.

Mirov

Raphaël Dairon

Kat

Marine Martinelli

Duval

Nicolas Bertrand

Anne-Julie Dudemaine

Arielle Coté

Atomist

Caitlin McDonagh

Camille Perro

Denise Duong

Dominique Montesano

Leyem

Phil Math


other

One of two truck sides by Wuna. See the other side below.

The other truck side by Wuna. Scroll up for the other side.

The back of the above truck was painted by Hest.

This is some sort of open photo booth by LP Montoya. Visitors to the Mural site would have their photo taken or take selfies from close enough to only see the psychedelic background and nothing else. See example below.

Example of the above installation by LP Montoya, featuring the artist himself. This photo © LP Montoya.

Franco

Germ Dee

To mark Germ Dee’s participation in the 2019 edition of Mural Festival, here’s a spotlight on his street work.

Germ Dee began painting in the streets of Montreal in the summer of 2016. He immediately became one of the city’s most prolific artists and quickly made friends with many of his local peers. With the exception of his very first few walls, Germ Dee has been mostly taking pop culture characters on his own personal spin, describing his work as ‘visionary bootlegs’.

To view more than Germ Dee’s street work, have a look at his Facebook and Instagram pages. If you can read French, there is an interesting interview with the artist at StoriesMTL. He sells merchandise featuring his art via his Etsy page.

Pour marquer la participation de Germ Dee à l’édition 2019 du Festival Mural, voici un profil-photo de la production street de cet artiste.

Germ Dee a débuté sa carrière montréalaise au cours de l’été 2016. Il est immédiatement devenu un de nos artistes les plus prolifiques, et s’est rapidement lié d’amitié avec plusieurs de ses pairs montréalais. A l’exception de quelques murs au tout début, l’essentiel de sa production consiste en versions ‘personalisées’ de personnages tirés de la culture populaire. Il décrit son art de visionary bootlegs, ce qui se traduirait grosso modo par ‘contrebande visionaire’.

Pour en voir plus que son travail de rue, vous êtes invités à jeter un coup d’oeil à ses pages Facebook et Instagram. Une entrevue intéressante avec l’artiste est disponible à StoriesMTL. Enfin, Germ Dee vend ses créations sur Etsy.


painted work

Pieces in this section are shown in approximate reverse chronological order, so the most recent are at the top.

Les pièces de cette section de la galerie sont présentées en ordre chronologique inverse approximatif, de la plus récente à la plus vieille.

Collaboration with Salvandalius on a Van Horne overpass pillar.

In a door recess.

Off Under Pressure.

Next to the Brigade B7 prod.

Germ Dee (top) and Nero (bottom) at the Rouen legal graffiti tunnel.

Contribution to the 2019 edition of Mural Festival. Assisted by Gwan and featuring name pieces by Deep and Serak in the bottom left and right corners.

On the Sun Youth building.

Off-Mural piece.

Inside an abandoned building, over a tag by Royal.

Germ Dee on character and Deep on letters, in Hochelaga.

On the Sun Youth building.

In Hochelaga.

In Hochelaga.

On a multi-artist wall in Hochelaga.

In a Plateau alley.

For the 2018 edition of the Under Pressure Festival.

On a Plateau alley garage door.

At Akira’s Alley.

In Hochelaga.

In a Plateau alley.

Mono Sourcil (left) and Germ Dee (right) in a Plateau alley.

At Plaza Walls.

Germ Dee (ground level) and Sank (above), for the 2018 Estival e Canes.

For the 2018 Estival de Canes.

In the South West.

One of six different plant boxes for the 2018 edition of MTL En Arts.

One of six different plant boxes for the 2018 edition of MTL En Arts.

One of six different plant boxes for the 2018 edition of MTL En Arts.

One of six different plant boxes for the 2018 edition of MTL En Arts.

One of six different plant boxes for the 2018 edition of MTL En Arts.

One of six different plant boxes for the 2018 edition of MTL En Arts.

On St-Laurent.

At the PSC legal graffiti wall.

At Plaza Walls.

In a central graffiti alley. The background is an earlier wall by Germ Dee, scroll down this page to view.

At Akira’s Alley.

Collaboration wall between EK Sept (top), Fokus (middle), Seork (bottom left) and Germ Dee (bottom right) for the Alleycats prod.

At Plaza Walls.

Downtown.

In Rosemont.

At Plaza Walls.

In a Plateau alley.

Germ Dee (left) and Tiburon (right) in a Plateau alley.

In Hochelaga.

In a Plateau alley.

In a central graffiti alley.

Germ Dee on character and Royal on letters, in St-Henri.

In St-Henri.

At Akira’s Alley.

At Akira’s Alley.

Off-Mural piece.

On St-Dominique. Paste-ups on the bottom right corner are by Shifty Cat and ROC514.

In a central graffiti alley.

A rooftop piece in a central graffiti alley.

In Côte St-Paul.

In a Mile End alley.

In a Plateau alley.

In a Plateau alley.

In Mile End.

In Mile End.

In Côte St-Paul.

In Mile End.

In Mile End.

In Hochelaga.

In a central graffiti alley.

On the Sun Youth building.

Jest (left), Gwan (middle) and Germ Dee (right) in a Plateau alley.

At Plaza Walls.

In a central graffiti alley.

In a central graffiti alley.

On the Sun Youth building.

Germ Dee (ground level) and Wzrds Gng (above) in Mile End.

4U crew triptych for Plaza Walls featuring Germ Dee (left), Tiburon (centre) and Mono Sourcil (right).

In a Plateau alley.

Germ Dee (left) and Gwan (right) in the Plateau.

Germ Dee (left) and Mono Sourcil (right) in Mile End.

In a Plateau alley.

At Plaza Walls.

At Plaza Walls.

Germ Dee (left), Awe (bottom right) and Wzrds Gng (top right) in a Mile End alley.

Germ Dee (top) and Mono Sourcil (bottom) in Petite-Patrie.

The Wzrds Gng (left), Mono Sourcil (centre) and Germ Dee (right) on a Hochelaga skateboard pipe.

In a Mile End alley.

Germ Dee (left) and M’Os Geez (right) for the 2016 Percussion festival.

Germ Dee (right) and Tiburon (left) in a Plateau alley.

Wzrds Gng (left) and Germ Dee (right) in a Plateau alley.

On a Plateau garage door.

Chris Dyer (left) and Germ Dee (right) doing bootleg Barts.

For the 2016 edition of Mural Festival.

In a Plateau alley.

In a Plateau alley.

In a Plateau alley.

In a Plateau alley.

In a Plateau alley.

In a Plateau End alley.


stickers and other pasted work

A wheatpaste found in Mile End.

A collaboration with ROC514.

A collaboration with ROC514.

A collaboration with ROC514.

Jaker

Jaker is one of the top graffiti writers in Montreal. His allegiances are to the BTH and GK crews. He has very little presence on the internet. If you wish to see much more than what I was lucky to find, particularly pieces on trains, have a look at his Instagram page. This Bombing Science video on Youtube shows great footage of Jaker in action on an autorack.

Jaker est un des meilleurs graffeurs à Montréal. Il est membres des crews BTH et GK. Il n’est que très peu présent officiellement sur internet. Si vous désirez en voir beaucoup plus que ce que j’ai eu la chance de photographier, particulièrement des pièces sur train, jetez un coup d’oeil à sa page Instagram. Cette excellente video de Bombing Science montre l’artiste en action.


burners and other big pieces

Pieces in this section are shown in approximate reverse chronological order, so the most recent are at the top.

Les pièces de cette section de la galerie sont présentées en ordre chronologique inverse approximatif, de la plus récente à la plus vieille.

Jaker and Legal contributed to the 2019 revamp of the Van Horne pillars.

A huge trackside piece.

On an abandoned building.

In Côte St-Paul.

Jaker and Legal representing BTH on an abandoned building in the South West.

In Rosemont.

On an abandoned warehouse in Hochelaga.

At the Papineau legal graffiti wall.

In an abandoned spot.

In an abandoned spot.

Jaker and Legal representing BTH in Little Burdundy (ground piece only).

This detail of the Scan You Rock tribute wall to Scaner shows Jaker’s part. Click on the latter link to view the complete wall.

From a BTH crew production in Dorval.

Huge Jaker and Legal roller on an abandoned building in the South West.

At the Papineau legal graffiti wall.

On a parked train.

On a parked train.

On a parked train.

On a parked train.

Jaker, Legal, Peace and Johste on the abandoned Canada Malting plant.

A huge commissioned Centre-Sud wall by the BTH crew featuring Legal and Jaker on name pieces and Jmoe on character.

Jaker (top) and Legal (ground) for the 2017 Lachine graffiti jam.

Tribute to Jays by BTH’s Jaker, Peace and Legal, from the Time Is Gold production.

Jaker in Rosemont.

Legal (ground) and Jaker (above) for the Festival de Canes.

At the Papineau legal graffiti wall.

In Rosemont.

Featuring Jaker (top), Legal (middle) and Johste (ground), this is BTH’s contribution to the Scan You Rock jam.

Near downtown.

Trackside.

Representing his crew BTH on a truck side.

In Rosemont.

Truck side.

For the 2016 edition of the Amalgam Festival in Sherbrooke.

In the Plateau.

Trackside.

At the Lachine legal graffiti wall.

At the Papineau legal graffiti wall.

In an abandoned building.

In an abandoned building.

Jaker and perhaps others from the BTH crew on the roof of an abandoned building in the South West.

In the South West.

Jaker (letters) and Jmoe (character) in an abandoned building.

Jaker (top) and Kwun (ground) in a Petite-Patrie alley.

In an abandoned building.

In an bike underpass on the Canal Lachine.

On an abandoned building.

On an abandoned building.

Representing BTH inside an abandoned Plateau school awaiting demolition.

In an abandoned building.

Inside the abandoned Transco.

Inside the abandoned Transco.

Inside the abandoned Transco.

In the gym of an abandoned Plateau school awaiting demolition.

Jaker on letters and Jmoe on character, in Rosemont.

Aliss (card), Ms Teri (flower), Jaker, Blek and Legal on a downtown rooftop.

Jaker (top) and Legal (bottom) at the 2015 Lachine graffiti jam

Most of the BTH crew participated in this piece between the chimneys of an abandoned incinerator.

Jaker and Legal representing BTH in the Plateau.

Under an expressway.

An old one in Montreal West.

Peace and Jaker on a bike trail in Petite-Patrie.

A springtime piece for the crew (Bring The Heat = BTH).

Jake’s contribution to this wall from the 2013 edition of the Under Pressure Festival is partly visible in the bottom left corner. Also featuring Fonki (centre), Legal (top left), Dare (top right), etc.

Jaker, Kwun, Legal and many more on one of the roofs of the long-abandoned Canada Malting plant.

An old piece inside an abandoned tunnel.

In industrial Montreal West.


throws

Jake and Legal on an abandoned industrial building.

Roller by Jaker and Legal in the South West.

Five Eight and Jake on the abandoned Canada Malting Plant.

A huge throw by Jake, Hyke and Legal for their crew BTH.

A huge throw in St-Henri.

With Legal on the left.

Inside the abandoned Transco.

Inside the abandoned Transco (with Snok on the left).

Inside the abandoned Transco.


tags


installation

A woodup installed on the roof of an industrial building in the South West.

Lost Claws

Lost Claws is a street artist mainly into wheatpasting, but he also has some painted work to his credit. He has been active in the streets and alleys of Montreal since approximately June 2017. The artist wittily expresses his dark, pessimistic or sarcastic views on the world, life and relationships through various characters, some recurring (teeth, skeletons, Death) and some one-offs (often animals).

The artist is extremely prolific and I have been able to find only a fraction of his work before it got destroyed. You should therefore check out his Instagram page for a lot more work than what I am presenting in the gallery below.

Lost Claws est un artiste de rue dont le medium préféré est le collage, mais qui peint aussi à l’occasion. Il est actif dans les rues et ruelles de Montréal depuis approximativement juin 2017. A l’aide d’une panoplie de personnages, certain récurrents (dents, squelettes, la Mort) ou non (souvent des animaux), il exprime sa vision sombre, pessimiste ou sarcastique, du monde, de la vie et des relation humaines.

Cet artiste est extremement prolifique et je n’ai eu la chance de photographier qu’une fraction de son oeuvre avant qu’elle ne soit détruite. Vous êtes donc invités à jeter un coup d’oeil à sa page Instagram si vous voulez en voir beaucoup plus que ce que je suis en mesure de présenter dans la galerie ci-dessous.


wheatpastes

Pieces in this section are shown in approximate reverse chronological order, so the most recent are at the top.

Les pièces de cette section de la galerie sont présentées en ordre chronologique inverse approximatif, de la plus récente à la plus vieille.

“That’s life”, in St-Henri.

“Ewe suck”, in Plateau End.

“I don’t wanna pray”, in Mile End.

“We’ll never be those kids again”, in the Plateau.

“You can be so cold”, an off-Mural piece.

“Happiness is temporary”, in the Plateau.

“I believe it’s faith I lack”, in the Plateau. See below for a close-up

Close-up of the above Plateau piece.

“I won’t remember you”, in the Plateau.

In the Plateau.

“Are we having fun yet?”, in Petite-Patrie.

“Everything is cool”, in the Plateau.

“Trapped in my head”, in Mile End.

“Love is not enough”, in Mile End for Valentine’s Day.

“How you act is who you become”, in the Plateau.

“Nothing comes back”, in the Village.

“There’s no surprises in hell”, in Mile End.

“Empty together”, in the Plateau.

“I am my father’s son”, in the Quartier des Spectacles.

“What am I doing with my life?”, in the Quartier des Spectacles.

“I feel so small”, a big wheatpaste on the George General d’Auto Reparation.

“Pas d’sucre, pas d’crème”, as Death likes its coffee black, what did you expect? Found in the Plateau.

“D.T.F”, apparently standing for “donairs taste fantastic”… This was found in the Plateau.

This one was captioned “If it’s not on Instagram, did it even happen?”, but the caption was lost before I got a chance to photograph this piece found in Mile End.

“LOL”, in the Plateau.

In the Plateau.

“Everybody else is an asshole”, in the Plateau.

“Give me darkness”, in Mile End.

“It gets easier”, in the Plateau.

“Just give me what I want”, in the Plateau.

“No one mourns the last to die”, in Mile End.

“My life is a mess”, in Little Italy.

“We really are alone aren’t we?”, in the Plateau.

“You’ll never see yourself like I see you”, in Mile End.

“The vague positive quote you needed”, in Mile End.

“Hot as heck”, in Mile End.

“Just fuckin’ super”, in Little Italy.

“Worth ≠ worth”, off Mural Festival.

“What’s it like being cool?”, on St-Laurent.

“It’s so cheesy”, in a conversation with Sara Erenthal.

“Only hard things break”, in the Quartier des Spectacles.

“Life sucks”, in the Quartier des Spectacles.

“The magic’s gone”, in the Plateau.

“You’re not special”, off St-Laurent.

“Time passes always has always will”, in Little Italy.

“Nothing ever changes” / “Everything is changing”, in Petite-Patrie.

“Share the burden”, in Mile End.

“Living quickly, dying slowly”, in Mile End.

“I’m familiar with the cold”, in Plateau End.

“We only hurt the ones we love”, in the Plateau.

“Same in the end”, in the Plateau.

“The loss of friends you never had”, in Mile End.

“We were never meant to stay”, in Mile End.

“New and interesting rock bottoms”, in St-Henri.

“Everybody leaves too soon”, pasted in the Plateau beneath one of Scaner‘s iconic characters, presumably as a tribute after the latter writer passed away.

“It’s only worth what you’re willing to lose”, in Petite-Patrie.

“We change”, in the Plateau.

“Life of the party”, in Mile End.

“Let the rain fall”, in the Plateau.

“We always know what’s right”, in Mile End.

“There’s plenty…”, in Mile End.

“No one is listening”, in the McGill Ghetto.

“Don’t wait too long to come home”, in Mile End.

“Nobody cares what you did, right?”, in Mile End.

“There is nothing we can keep”, in Plateau End.

“Remember to forget”, in Mile End.

“How you act is who you become”, in Mile End.

In the Plateau.

“I only loved you with my head anyways”, in the Plateau. The sticker above is by Ella & Pitr.

“Free to a good home”, in Mile End.


painted, drawn, etc.

Pieces in this section are shown in approximate reverse chronological order, so the most recent are at the top.

Les pièces de cette section de la galerie sont présentées en ordre chronologique inverse approximatif, de la plus récente à la plus vieille.

This collapsable sign was put up in the village in early August, not quite near the end of summer…

On a Mile End rooftop.

On a Mile End rooftop.

On a Mile End rooftop.

On a Mile End rooftop.

“Break a leg!”, in a Mile End skatepark.

“Put a skull on it!”, in Mile End.

In a Plateau alley.

In Mile End.

In Mile End.

“I’m fine”, in Petite-Patrie.

“Dirt don’t hurt”, in Mile End.

“There’s no surprises in hell”, in Little Italy.

“I feel nothing”, in the Plateau.

“You’re not special”, retaliating against Worm after he did this huge chrome throw for his crew MG over Lost Claws’ huge “I feel so small” mouse wheatpaste (scroll up this gallery to view).

“You’re only young forever once”, in Mile End.

In a central graffiti alley.

“Alone is all we were”, in Mile End.


stickers

Collaboration with ROC514.

Benny Wilding / Cemz / Ether

Benny Wilding aka Cemz aka Ether is the ultimate urban artist, having started off as a graffiti writer and then evolved into becoming one of Montreal’s great muralists. He started in 1997 writing ‘Cemz’ and quickly earned the respect of his peers. Around 2004 he switched to writing ‘Ether’ and kept that name for a bit more than a decade. Over 2016, as his career as a muralist started growing significantly, he reverted back to ‘Cemz’ and this is his regular writing name nowadays. His main allegiance over the years has been with the crew TFB, but he’s also in DA, TFO and more recently KG (to name a few), crews that include many of our city’s best writers.

His murals and other figurative pieces are usually mash-ups of various pop-art vintage elements: cartoons, old logos, commercial lettering and other nostalgia-tinged iconography inspired by old ads and catalogues. Most interestingly, they also often include his name-piece, creating a contrast between that warm nostalgia and his wildstyle street side.

To learn more about Benny Wilding, have a look at this great 2018 interview by Mural Festival. To view more than I was able to photograph, and to see his work outside Montreal as well as his studio work, folow him on Instagram. Finally, there’s a short bio and photos of work he has done for Ashop in this Ashop bio.

Benny Wilding / Cemz / Ether est le parfait artiste urbain, ayant débuté comme graffeur puis graduellement fait son chemin pour devenir un des grands muralistes de Montréal. Il a débuté en 1997 sous le nom ‘Cemz’ et a rapidement gagné le respect de ses pairs. Aux environs de 2004 il a commencé à écrire ‘Ether’ et a conservé ce nom pour une douzaine d’années. Au cours de l’année 2016, alors que sa carrière de muraliste prenait de l’essor, il a repris le nom ‘Cemz’ et c’est ce nom qu’il utilise de nos jours pour ses pièces de graffiti. Sa principale affiliation au fil des années a été avec le crew TFB, mais il fait aussi partie de DA, TFO et plus récemment KG (pour n’en nommer que quelques uns), des crews incluant plusieurs des meilleurs graffeurs de Montréal.

Ses murales et autres pièces figuratives combinent généralement divers éléments pop-art vintages tels que des personnages de bandes dessinées, des logos, du graphisme commercial ainsi que des personnage ou objets tirés de vieilles pubs ou de vieux catalogues. Fait intéressant, ses grandes créations incluent aussi son nom en plein milieu, mettant ainsi en contraste le coté nostalgique et réconfortant de l’iconographie vintage avec la modernité de son graffiti wildstyle.

Pour en apprendre plus sur Benny Wilding, vous êtes invités à lire cette entrevue pour Festival Mural datant de 2018. Pour voir plus que ce que j’ai eu la chance de photographier, particulièrement ses oeuvres hors-Montréal ainsi que son travail en studio, suivez-le sur Instagram. Enfin, une courte biographie et des photos de son travail pour Ashop se trouvent sur le site d’Ashop.


Benny Wilding

Pieces in this section are shown in approximate reverse chronological order, so the most recent are at the top.

Les pièces de cette section de la galerie sont présentées en ordre chronologique inverse approximatif, de la plus récente à la plus vieille.

This is the left half of a long wall in Rosemont with the 1976 Montreal Olympics as a theme.

This is the right half of a long wall in Rosemont with the 1976 Montreal Olympics as a theme.

This tribute to local Formula One driver Gilles Villeneuve in Chinatown incorporates a Cemz letter piece.

Benny Wilding’s segment on a long tribute to Scaner also involving Zek and Stare (not visible in this shot). The wall also includes a Cemz letter piece, scroll down to view.

Tribute to Scaner by Sober, Benny Wilding, Mersh, Tyke and Sage at the 2017 edition of the Lachine graffiti jam.

Ankh One and Benny Wilding collaboration in Verdun. The white dots are actually raised from the wall and spell out “multiculturel” in Braille language.

This mural is found downtown.

This nostalgia mural at Plaza St-Hubert incorporates a Cemz letter piece.

One of Benny Wilding’s characters on a Scaner & Cemz alley wall which also features a Cemz letter piece featured in the next section, scroll down to view.

One more of Benny Wilding’s characters on a Scaner & Cemz alley wall which also features a Cemz letter piece featured in the next section, scroll down to view.

One more of Benny Wilding’s characters on a Scaner & Cemz alley wall which also features a Cemz letter piece featured in the next section, scroll down to view.

Benny Wilding / Cemz at Plaza Walls.

A green alley piece for Ashop in Hochelaga (1/3).

A green alley piece for Ashop in Hochelaga (2/3).

A green alley piece for Ashop in Hochelaga (3/3).

This Ashop mural was designed by Fluke and executed by Zek and Benny Wilding.

Ether / Benny Wilding in Petite-Patrie.

This is Benny Wilding’s contribution to the 2015 edition of Mural Festival. It includes a Ether letter piece.

This long wall in the Plateau is a collaboration with Hsix on the three Gilles Duceppe characters.

Trackside wall for Ashop under the name Cems.

Benny Wilding as Ether for the Cabane à sucre secret gallery.


Cemz

Pieces in this section are shown in approximate reverse chronological order, so the most recent are at the top.

Les pièces de cette section de la galerie sont présentées en ordre chronologique inverse approximatif, de la plus récente à la plus vieille.