Shok

Shok is one of the handful of Montreal writers who started off in the nineties and never stopped being active to this day. He has been part of the crew HYH in the past but nowadays only represents SIK. He has very little official presence on the internet, to see much more than what I managed to photograph, check out his Instagram page.

Shok est parmi la poignée de writers montréalais qui ont commencé dans les années 1990 et qui sont toujours très actifs aujourd’hui. Il a déjà signé pour le crew HYH mais depuis plusieurs années maintenant il ne représente que SIK. Il est très peu présent sur l’internet, pour en voir beaucoup plus que ce que j’ai eu la chance de photographier, jetez un coup d’oeil à sa page Instagram.


pieces and throws

Pieces in this section are shown in approximate reverse chronological order, so the most recent are at the top.

Les pièces de cette section de la galerie sont présentées en ordre chronologique inverse approximatif, de la plus récente à la plus vieille que j’ai eu la chance de photographier.

In Rosemont.

In an non-urban area of Montreal.

In an non-urban area of Montreal.

In an non-urban area of Montreal.

One of two contributions to the Time Is Gold production.

Shok’s other contribution to the Time Is Gold production.

Wall of flops from the Time Is Gold production featuring Shok amongst many others (in yellow, fourth row from the top, third from the left).

In Rosemont.

In Hochelaga.

On a roof in Ahuntsic.

In an abandoned building in Côte-des-Neiges.

In an abandoned building in Côte-des-Neiges.

Birthday wishes to Scaner, in an empty lot.

In an abandoned building in Côte-des-Neiges.

Shok’s contribution to the Scan You Rock production.

In an abandoned building in Côte-des-Neiges.

In an abandoned building in Côte-des-Neiges.

In an alley in Ahuntsic.

Rooftop piece at Plaza Walls.

Contribution to the 2016 edition of Amalgam Festival.

In a Ahuntsic alley.

In an abandoned building in Côte-des-Neiges.

In the abandoned “Jailspot”.

In a Ahuntsic alley.

At the Project45 skatepark.

In an abandoned building in Côte-des-Neiges.

At the Papineau legal graffiti wall.

In the abandoned “Jailspot”.

In the abandoned Transco.

In the abandoned Transco.

In the abandoned Transco.

In the abandoned Transco, with Tuna.

In the abandoned Transco.

In the abandoned Transco.

In the abandoned Transco.

On the roof of the abandoned Transco.

In the gymnasium of an abandoned Plateau school before it got demolished.

In the abandoned Transco.

In the abandoned Transco.

Part of the unofficial Silverjam in Rosemont.

Truckside done during the 2015 edition of Hip Hop You Don’t Stop.

In the abandoned Transco.

In the abandoned Transco.

In the abandoned Transco.

In the abandoned Transco.

In the abandoned Transco.

Outside the abandoned Transco.

On the roof of the abandoned Transco.

In Petite-Patrie.

On the roof of the abandoned Transco.

In the abandoned “Jailspot”.

In a Ahuntsic alley.

Character by Shok to go with Tuna‘s letter piece, in Ahuntsic.

In a Ahuntsic alley.

Shok’s part in a multi-artist production in Ahuntsic.

Trackside chrome.

In the abandoned “Jailspot”.

In the abandoned “Jailspot”. Also visible above is Crops.

In the abandoned “Jailspot”.

Part of a multi-artist production in Rosemont.

Outside the abandoned “Jailspot”.

In the abandoned “Jailspot”.

Outside the abandoned “Jailspot”.

In a Ahuntic alley.

In an empty lot in Hochelaga.

Ether TFB (top left), Mersh (top right) and Shok (bottom) for the 2014 edition of the Under Pressure Festival.

Collaboration with Dfek on the front of the Ste-Elisabeth bar.

Shok (above), Dfek (ground left) and Omse (ground right) in the Plateau.

Shok’s part on a multi-artist wall in the Plateau.

Shok (ground level) and Scaner (above) in the Plateau.

Trackside roller in Mile-End.

Shok’s part on a multi-artist wall in Centre-sud.

Shok’s part on a classic multi-artist wall in Villeray.

On the side of a NDG business.

Shok’s part in a collaboration with Sake in Ville-Emard.

Shok’s part on a multi-artist wall in the Plateau dating back to 2001!

Shok and Croki collaboration from 1998!

tags

These tags were found in abandoned places awaiting demolition.

stickers

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Time Is Gold

Time Is Gold is the name of the last production supervised by Scaner before he passed away in early September 2017. Most of his closest buddies in crews KG, DA and Four S as well as a few other friends from the Montreal graffiti scene were invited by him to contribute. The production was halfway completed at the time of Scaner’s death, so it then turned into a tribute to the writer the Montreal graff community calls their king. A candle memorial at the base of his unfinished piece was actually where his friends would congregate for a few weeks following the day Scaner passed.

The production is found on the back and side walls as well as around the playground of a private high school in central/eastern Montreal. The premises are therefore only partially accessible and should be respected.

Time Is Gold est le nom de la dernière production dirigée par Scaner avant son décès au début de septembre 2017. La plupart des ses frères dans les crews KG, DA et Four S ainsi que quelques très bons amis de la scène montréalaise du graff ont répondu à son invitation de contribuer à la production. Puisque que celle-ci n’était qu’à demi complétée au moment du décès de Scaner, elle est par la suite devenue un hommage à l’artiste que la communauté montréalaise du graff nomme maintenant son “king”. D’ailleurs un mémorial à la chandelle à la base de sa dernière pièce demeurée inachevée était l’endroit où ses amis sont venus se recueillir et lui rendre hommage pendant quelques semaines suite à son départ.

La production se trouve sur les murs arrière et latéral ainsi qu’autour du terrain de jeu d’une école privée du centre-est de Montréal. Celle-ci n’est conséquemment que partiellement accessible et le coté privé de l’endroit devrait être respecté.

The production’s main wall. Scaner did the outlines of his letters before he passed away. The fill and background of that area were completed by his brothers in KG, Stare and Zek. On the left is Scaner’s crewmate in the Four S’s, Harry Bones.

Top left on the adjacent wall is Cemz.

Serack

Beneath Cemz and Serack is Dodo Osé‘s part.

Sewk (above) and Stare (below).

Ware on letters and mural. More by Ware below.

Axe (top letters and figurative) and Jaber (ground letters). Both have supplied more, scroll down.

Smak

Zek

One more bit by Axe, this is King the squirrel.

Wall of flops featuring Zek, Stare, Deep, Pito, Her, F.One, Jaber, Axe, Some, Shok, Tuna, Oper, Getsa, Zion, Dolar, Casp, Smak, Morz, Peace, Expos, Nixon and many others (feel free to let me know about anyone I have been unable to identify).

Tribute to Jays by Jaker, Peace and Legal (almost completed – finished shot will be put up when the wall is completed).

One more by Jaber, this time his character.

Soten

Trace

Hoacs

Shok

Mersh

123Klan‘s Scien.

Shok

Ware

Sober

Morz

Soma

Pask

Wase

Long live the King, Scaner

As I am on vacation on the other side of the planet, I have just found out about the passing away of the king of Montreal writers, Scaner. His influence on writers of his generation and the ones who followed is immeasurable. His impact on the local scene and beyond will be felt for years, forever. May he paint those heavenly skies for us to have a great place to come to when our turn comes. Long live the King…

See wall2wallMTL’s photo spotlight on the maestro’s work:
Spotlight on Scaner

Under Pressure Festival 2017

Here’s a photo gallery featuring all the works produced during the 2017 edition of the Under Pressure Festival. For earlier editions see the following posts:
2016 edition
2015 edition
2014 edition
2013 edition.

Cet article-photo présente les oeuvres produites au cours de l’édition 2017 du Festival Under Pressure. Pour les éditions antérieures, voir les articles suivants:
édition 2016
édition 2015
édition 2014
édition 2013.

One of 2 posters for the 2017 edition, by Haks and Jimmy Baptiste.

One of 2 posters for the 2017 edition, by Haks and Jimmy Baptiste.


203 crew wall. The 203 Invader with the munchies is by Opire and the one with the giggles is by Arnold and Borrris. The top letters – actually numbers 203 – are by Naimo, the ground ones by Ekes and all the wraparound is by Lyfer and Ekes plus probably a few more 203s…

Monk.e, Fonki and Ankh One collaboration.

The 123 Klan wall with Scien and Klor on ground level letters and Aiik on top ones.

Rouks (top left), Lapin (top right), Haks (ground left) and Nemo (ground right).

K6A crew wall featuring Axe, Fleo, Dodo Osé, etc. (segment 1/3).

K6A crew wall featuring Axe, Fleo, Dodo Osé, etc. (segment 2/3).

K6A crew wall featuring Axe, Fleo, Dodo Osé, etc. (segment 3/3).

Yekso, Lons, Zyon and Kuby, guests from New Caledonia.

RCD and guests wall featuring, from left to right and top to bottom: Imp, Phere, Sirvis, Snok, Vogue, Yema, Bumpr and Mask. See close-ups of individual pieces below.

Imp

Phere

Sirvis

Snok

Vogue

Yema

Bumpr

Mask

TFS/POM wall featuring, from left to right and top to bottom: Rizek, Apok, Resok, Myrage, Eskro, Serum and EK Sept. See close-ups of individual pieces below.

Rizek and Resok.

Apok and Myrage.

Eskro

Serum (better and unobstructed shot coming).

EK Sept

Anthill Collective wall featuring Capes, Eskae and Speak with guest AboveAsBelow.

UNC wall featuring Meor, Baesr, Getso, Rock and Mine.

Collaboration between SBU One and MSHL.

Scribe on letters, Tchug on central character and Corey Bulpitt on native motifs.

Serna (top), Gaulois (bottom left) and Bopor (bottom right). See close-ups of the two bottom pieces below.

Gaulois

Bopor

Debza

Tibúron

Corey Bulpitt

Kor for his Mon Chat Dans Ta Ville project.

Striker

Tryptich by Adida Fallen Angel.

Ason, with Vogue above.

MC Baldassari and Aude Maeva.

Osmoze

Dalkhafine and Loopkin.

Hoar

Asyn

NEMC / Fabb

Marc-André Giguère

Marc-André Giguère

Le Monstr

Elysanne Tremblay (left) and Le Monstr (right).

Jasp

M’Os Geez

Maliciouz

Tchekon

Tchekon

Chase aka Smile

Wheatpaste by Mono Sourcil (1/2).

Wheatpaste by Mono Sourcil (2/2).

Wheatpaste by Maliciouz (1/3).

Wheatpaste by Maliciouz (2/3).

Wheatpaste by Maliciouz (3/3).

Wheatpaste by Carolina Espinosa (1/3).

Wheatpaste by Carolina Espinosa (2/3).

Wheatpaste by Carolina Espinosa (3/3).

Wheatpaste by Christina Mazzulla (1/2).

Wheatpaste by Christina Mazzulla (2/2).

Closed porn cinema covered with Miss Me wheatpastes. Pasted messages include “To be born with a woman’s body is to bear the unsolicited burden of humanity’s unresolved attitudes towards sex” and “Don’t tell me what to wear”. See below for close-up.

Close-up of some Miss Me wheatpastes from above installation.

SBU One

SBU One was born in France but moved to Montreal in 2004. For many years his street work walked the line between figurative and abstract, never quite one or the other. In the past few years he appears to have been doing a bit more figurative work, as least as far as his street work is concerned. It often features animals and zoomorphic characters and mashups, although it tends to remain closer to abstract when he works with frequent collaborator MSHL. In recent years his notorierity has increased rapidly, leading him to participate to festivals such as Under Pressure and Amalgam and then Mural Festival in 2017.

To see much more than what is featured in the photo gallery below (including studio/gallery work, animation, comics, and a lot of amazing street work outside Montreal), check out sbuone.com as well as his Facebook, Instagram and Tumblr pages.

SBU One est né en France mais habite Montréal depuis 2004. Pendant plusieurs années son art de rue balançait entre le figuratif et l’abstrait, jamais tout à fait l’un ou l’autre. Depuis quelques années l’artiste penche un peu plus vers le figuratif, du moins en ce qui concerne son art urbain. Animaux et personnages zoomorphiques y font des apparitions fréquentes. Ceci étant dit, celui-ci redevient plutôt abstrait lorsqu’effectué conjointement avec son fréquent collaborateur MSHL. SBU One a gagné beaucoup en notoriété ces dernières années, menant à des participations remarquées à des festivals tels que Under Pressure et Amalgam, et à l’édition 2017 du Festival Mural.

Pour en voir bien plus que ce qui est présenté dans la gallerie-photo ci-dessous (incluant des oeuvres en studio/gallerie, de l’animation, de la bande dessinée et beaucoup d’oeuvres urbaines géniales hors-Montréal), jetez up coup d’oeil à sbuone.com ainsi qu’à ses pages Facebook, Instagram et Tumblr.


murals and other painted pieces

Pieces in this section are shown in approximate reverse chronological order, so the most recent are at the top.

Les pièces de cette section de la galerie sont présentées en ordre chronologique inverse approximatif, de la plus récente à la plus vieille que j’ai eu la chance de photographier.

In Rosemont.

In a Rosemont alley (click to zoom in).

SBU One (left) and Waxhead (right) in a Rosemont alley.

For the Gatos Callejeros production in a Rosemont alley.

Collaboration with MSHL on the lower (2nd) floor and with Tiburon on the upper (3rd) one. The upper floor was retouched from an earlier SBU-solo piece, scroll down to view.

Collaboration with MSHL for the 2017 edition of the Under Pressure Festival.

Collaboration with Monk.e at the PSC legal graffiti wall. See below for 2 close-ups on SBU One’s parts.

Close-up 1/2 on SBU One’s part in a collaboration with Monk.e at the PSC legal graffiti wall.

Close-up 2/2 on SBU One’s part in a collaboration with Monk.e at the PSC legal graffiti wall.

Collaboration with MSHL in Pointe St-Charles.

Floors 2 and 3 added to the back of this Plateau building. Scroll down for a close-up of Level 1 from a year earlier. Level 2 is a collaboration with MSHL.

Contribution to the 2017 edition of Mural Festival.

On a house awaiting demolition in the Plateau.

Collaboration with Scribe in a Rosemont back alley.

In a Rosemont back alley.

In Petite-Patrie.

Collaboration with MSHL in the Plateau.

SBU One in the Plateau. More was added to this piece the following year, scroll up to view.

SBU One’s contribution to Plaza Walls.

Contribution to the 2016 edition of the Under Pressure Festival.

Contribution to the 2016 edition of Amalgam Festival.

Contribution to the 2016 International Percussion Festival.

Collaboration with MSHL in a Plateau alley.

Collaboration with Waxhead in a multi-artist mural project for Sun Youth. Visible bottom left is one of Starkey‘s wabbits.

A side piece done during the 2016 edition of Mural Festival.

This garage door was done off-Mural Festival in 2016.

Collaboration with MSHL in Mile End.

In St-Henri.

SBU One’s part in a multi-artist production in Old Montreal.

At the PSC legal graffiti wall.

At the PSC legal graffiti wall.

At the PSC legal graffiti wall.

Behind a studio in St-Henri.

Underneath expressway. Photo © SBU One.

With Zdey on the right at the PSC legal graffiti wall. Photo © SBU One.

On the roof of the Omnipac building (now demolished). Photo © SBU One.

In Rosemont. Photo © SBU One.

Photo © SBU One.

Photo © SBU One.

Underneath expressway. Photo © SBU One.

Underneath expressway.

Underneath expressway.

Underneath expressway.

On a concrete block found in an abandoned lot in Hochelaga

Very old piece dated 2006 in the Plateau.


Videshi babaji

SBU One has this recurring character which he calls “Videshi babaji” serving as some sort of logo and which he seems to use in the way graffiti writers would with a throw (quickly sprayed piece with outline and uniform fill). Most of the time the character is a bearded head with a hat, but in at least one instance (top of the gallery below), it was given a whole body. It also often comes with a speech bubble.

SBU One a un personnage récurrent appelé “Videshi babaji” lui servant en quelque sorte de logo, ou d’équivalent du throw (pièce rapidement exécutée ne consistant que d’un contour et un remplissage uniforme) chez les graffeurs. Dans la majorité des cas le perso est une tête d’homme barbu arborant une casquette, mais dans au moins un cas (première entrée dans la gallerie ci-dessous), SBU lui a donné un corps. Le personnage vient souvent avec une bulle de texte (façon bande dessinée).


drawn pieces

Found inside the abandoned Transco.

Found inside the abandoned Transco.


wheatpastes

Most, perhaps all pieces below are in collaboration with MSHL.

La majorité, sinon toutes les pièces ci-dessous sont des collaborations avec MSHL.


stickers

Festival de Canes

Over the weekend of 15-16 July 2017, approximately 40 out of the best of Greater Montreal’s writers and artists were invited by Dose Culture to cover the 2 sides of a highway ramp in Longueuil with their work. The event was titled the Festival de Canes (‘Cans Festival’, a pun on Cannes Festival). Most of the space to be covered was split into sections allotted to various crews. The line-up was curated by Acek.

Au cours de la fin de semaine du 15-16 juillet 2017, environ 40 des meilleurs artistes/graffeurs de la région de Montréal on été invités par Dose Culture pour recouvrir les 2 cotés d’une rampe d’accès du pont Jacques-Cartier, coté Longueuil. Le nom de l’événement, le Festival de Canes, est bien sur un jeu de mot sur Festival de Cannes. La majorité de l’espace de travail a été séparé en sections allouées à divers crews. La sélection des graffeurs a été effectuée par Acek.


N2N’s wall featuring curator Acek (top right), Janek (ground right), Arose (top left) and Nerv (bottom left). All four contributed to the background.

K6A‘s wall featuring Axe Lalime, Dodo Osé, Fleo, Saer, Serak, Monk.e and Osti One. See below for close-up details.

Close-up detail of the K6A wall shown above.

Close-up detail of the K6A wall shown above.

Besides contributing to the K6A wall, Monk.e also did his own.

203 crew wall featuring, from left to right and from ground to top: Ekes, Nybar, Arnold, Borrris, Naimo, Hitem, Lyfer and Trak.

Close-up on Ekes‘s piece on the 203 crew wall shown above.

Close-up on Nybar‘s piece on the 203 crew wall shown above.

Close-up on Arnold‘s piece on the 203 crew wall shown above.

Close-up on Borrris‘s piece on the 203 crew wall shown above.

Close-up on Naimo‘s piece for on 203 crew wall shown above.

Close-up on Hitem‘s piece for on 203 crew wall shown above.

Close-up on Lyfer‘s piece for on 203 crew wall shown above.

Close-up on Trak’s piece for on 203 crew wall shown above.

Crazy Apes wall featuring Fezat and Narc on central part, with letters by Lith (top left), Crane (ground left), Korb (top right) and Akuma (ground right).

Close-up on Fezat and Narc‘s central part of the Crazy Apes wall shown above.

Close-up on Lith‘s piece on the Crazy Apes wall shown above.

Close-up on Crane‘s piece on the Crazy Apes wall shown above.

Close-up on Korb‘s piece on the Crazy Apes wall shown above.

Close-up on Akuma‘s piece on the Crazy Apes wall shown above.

Next Time crew wall featuring Rouks (character), Sank (top left letters), Wonez (ground left letters) and Royal (right).

Detail of of the Next Time crew wall showing Rouks (character), Sank (top letters), Wonez (ground letters).

Detail of of the Next Time crew wall showing Rouks (character) and Royal (letters).

Debza

Scribe

Robe/Fore

Killa EF (ground), Kare (above).

Legal (ground), Jaker (above).

Deeper

Bfour

Fokus on bus side.

Opposite side of the above bus, by Awe. This was completed too late for me to photograph on site, so it was shot a few weeks later in NDG.

Axe Lalime

Axe Lalime, or simply Axe, is a very prolific and versatile Montreal artist active since 1995. He stems from the world of graffiti but excels in various forms of figurative art, be it mural or on canvas. He is very active with the K6A crew, but also pays allegiance to crews KG and CFC. He has in the past been a frequent collaborator on A’Shop productions.

The photo gallery below is therefore mainly split into sections featuring his graffiti pieces, his figurative work as well as the great collective projects by A’Shop and K6A to which he contributed. To see more than what I had the chance to photograph, check out his Facebook and Instagram pages and this great video showing Axe at work on various pieces featured below.

Axe Lalime, ou tout simplement Axe, est un artiste montréalais prolifique et versatile, actif depuis 1995. Il vient du milieu du graffiti mais excelle aussi en art figuratif qu’il soit mural ou sur canevas. Il est très actif avec le collectif K6A mais prête aussi allégeance aux crews KG et CFC. Il a été de par le passé un fréquent collaborateur sur des projets réalisés par A’Shop.

La galerie-photo ci-dessous est conséquemment divisée en sections présentant ses pièces de graffiti, ses oeuvres figuratives ainsi que les grands projets collectifs auxquels il a participé aux cotés d’A’Shop et de K6A. Pour en voir plus que ce que j’ai eu la chance de photographier, vous êtes invités à jeter un coup d’oeil à ses pages Facebook et Instagram ainsi qu’a cette capsule video montre l’artiste en action, travaillant sur plusieurs des pièces présentées dans la galerie ci-dessous.


letters

Pieces in this section are shown in approximate reverse chronological order, so the most recent are at the top.

Les pièces de cette section de la galerie sont présentées en ordre chronologique inverse approximatif, de la plus récente à la plus vieille que j’ai eu la chance de photographier.

Axe (top letters and figurative) and Jaber (ground letters) for the Time Is Gold production.

One more bit by Axe for the Time Is Gold production, this is King the squirrel.

At the Papineau legal graffiti wall.

Axe (top), Zek (bottom left), Awe (bottom right) and Dodo Osé in St-Henri.

With Fleo on the left, in Ville-Emard.

With Fleo on the right, and an older piece by Serak above, in industrial Montreal.

Axe’s contribution to Plaza Walls.

In a Plateau alley.

For the 2016 Percussion Festival.

Minivan side.

Collaboration with Awe in St-Henri.

Collaboration with Awe in St-Henri.

In Rosemont.

Axe (top) and Wuna (ground level) at the Lachine legal graffiti wall.

Section of a K6A production in St-Henri, above Dodo Osé.

In industrial Montreal.

Axe (character and letters on the left) and Monk.e (character and letters middle and right), in Hochelaga.

On truckside, with Tchug.

In St-Henri.

Truckside.

Rooftop in Hochelaga.

Axe’s contribution to the Cabane à sucre secret gallery (on the back wall).

In Sherbrooke.

Axe’s part in a graff wall with Scaner and Kemr in Hochelaga.

Rooftop session next to Serak.

With Astro in Hochelaga.

Axe on doors and SBU One on the right, in St-Henri.

In a St-Henri alley.

Trackside Pointe-St-Charles.

Saer (left) and Axe (right) in Hochelaga.

Part of a K6A wall in Hochelaga.


figurative work

Pieces in this section are shown in approximate reverse chronological order, so the most recent are at the top.

Les pièces de cette section de la galerie sont présentées en ordre chronologique inverse approximatif, de la plus récente à la plus vieille que j’ai eu la chance de photographier.

In the South West.

Tribute to Scaner in the South West.

In St-Henri.

Community-oriented wall in a Rosemont-Petite-Patrie alley.

From a Plateau production curated by Axe himself. The piece continues around the right-side corner, see below.

The piece in the above photo continues around the corner, beneath letters by Stare.

At the Papineau legal graffiti wall.

At the Papineau legal graffiti wall.

Crane on letters and Axe on character, from a Plateau production curated by Axe.

In Rosemont.

Dodo Osé with Axe on smaller characters, in the South West.

Fleo (blue), Dodo Osé (red letters) and Axe (character) contribution to the Scan You Rock jam.

A bit more by Axe for the Scan You Rock jam.

At the PSC legal graffiti wall.

Collaboration with Awe in Ahuntsic.

Work-in-progress nearly completed for the 2016 edition of Amalgam Festival.

With Snikr on the right for the 2016 Chemin Vert production.

Axe’s part in a K6A wall in St-Henri.

With letters by Crane on the left, at the PSC legal graffiti wall.

With letters by Naimo on the left, at the PSC legal graffiti wall.

For Plaza Walls.

At the Rouen legal graffiti tunnel.

Axe’s part in a K6A wall in St-Henri.

With Fleo on letters at the Rouen legal graffiti tunnel.

Rooftop part at the Plaza St-Hubert (2 sides displayed).

On back of truck.

In Petite-Patrie.

On a post of Plaza St-Hubert.

This K6A wall in Hochelaga is by Monk.e and Axe.

In Old Montreal.

Character between Sewer and F.One at the Rouen legal graffiti tunnel.

In Rosemont.

Scaner on letters and Axe on characters, in Petite-Patrie.

With Monk.e on this K6A wall in Hochelaga.

Full mural by Axe, for Muralité, in Mile-End.

Axe on character, Smak on bottom letters with older letters by Pito top right, at the Cabot x Gilmore walls.

Monk.e (left), Scaner (right letters) and Axe (right character) in Hochelaga.

Scaner and Axe’s contribution to the 2014 edition of the Under Pressure Festival.

Maniak (top left), Zek (bottom left), Axe and Fluke for K6A and A’Shop (right), at the Cabot x Gilmore walls.

Scaner (bottom letters), Ether TFB (middle letters), Serack (top letters), Axe (bottom left) and Hsix (right) for the 2013 edition of the Under Pressure Festival.

This K6A wall in Hochelaga is by Monk.e and Axe.

Axe on dragon and rats, with Stare on ‘K’ and ‘G’ and Scaner on other background lettering, in Rosemont. See below for close-up of Axe’s rats in the bottom right corner.

Close-up of Axe’s rats from the mural above with Stare and Scaner.

Letters by Scaner (center ground level) between hissing felines by Axe, Feka and Peur (middle) and wheatpaste by Lovebot (top), by train tracks in Mile End.

Detail of a larger mural piece with other artists in a Plateau alley.

Perhaps with others, doing the K6A logo in Griffintown.

Next to letters by Scaner in Ville-Marie. See below for another character by Axe on this long mural.

From a long wall in Ville-Marie, see also other segment above.

Scaner (text), Earth Crusher (central figure) and Axe (end figures) in abandoned industrial building.

In Rosemont.

Commissioned pieces on garage doors in Hochelaga by Scaner and/or Axe.

A’Shop featuring Axe and Fluke ‘mural’ on a pillar of the Van Horne|Rosemont overpass.

In a Hochelaga alley, perhaps with someone else.


contribution to multi-artist murals

K6A crew wall for the 2017 edition of the Under Pressure Festival, featuring Axe, Fleo, Dodo Osé, etc. (segment 1/3).

K6A crew wall for the 2017 edition of the Under Pressure Festival, featuring Axe, Fleo, Dodo Osé, etc. (segment 2/3).

K6A crew wall for the 2017 edition of the Under Pressure Festival, featuring Axe, Fleo, Dodo Osé, etc. (segment 3/3).

K6A wall at the Festival de Canes, featuring Axe, Dodo Osé, Fleo, Saer, Serak, Monk.e and OstiOne (click to zoom).

Under Pressure 2016 K6A wall featuring Axe (racoons), Serak (bottom left), Otak (middle left), Satyr (top left), Fleo (top right), Dodo Osé (middle right) and Fluke (bottom right).

K6A’s contribution to the 2015 edition of the Under Pressure Festival featuring Axe, Monk.e, Fleo, Philemon.

Under Pressure Festival 2014 production by the K6A collective featuring Fleo, Monk.e, Dodo Osé, Serack, Axe, Dkae and Saer.

A’Shop‘s wall for the 2013 edition of Mural Festival features Axe alongside Fluke, Zek and Apashe.

This classic A’Shop mural in NDG features Fluke, Axe, Phile, Zek and Dodo Osé.

NME mural on Papineau featuring Stare, Scaner, Monk.e, Kers, Axe, Vect and perhaps others.


bandaid logo

Axe’s signature bandaid logo is often used to sign his murals and pieces (as seen in many instances above). It is also often painted by itself here and there as some sort of elaborate tag. The handful shown below is just a small fraction of the number I have found over the years.

Tel que vu ci-dessus, Axe signe plusieurs de ses murales et autres pièces avec son logo représentant deux pansements entrecroisés. Ce logo lui sert aussi de tag. Les quelques exemplaires montrés ci-dessous ne sont qu’une très petite fraction de ce que j’ai trouvé au cours des dernières années.

Wall of flops from the Time Is Gold production featuring Axe’s bandaid amongst many others (in yellow, second row from the top, second from the left).


tags and throws

Tags by Scaner (above) and Axe.


stickers

Montreal | Street Art | Graffiti