All posts by Art-hound

New street art April 2016

Here’s a photo gallery of the new street art having appeared on the streets of Montreal during April 2016. The post is split into sections covering painted pieces, pasted pieces, stickers, and ‘other’. Graffiti done in Montreal during the same period is covered in a separate post. If you want to see new Montreal street art and graffiti as soon as I photograph it, you can follow me on Instagram.

Cet article présente les nouveautés street art apparues dans les rues de Montréal au cours d’avril 2016. Il est séparé en quatre sections: oeuvres peintes, collages, autocollants, et ‘autre’. Les pièces de graffiti créées au cours de la même période sont présentées dans un article à part. Pour voir les nouvelles oeuvres de street art ou de graffiti aussitôt photographiées, vous êtes invités à me suivre sur Instagram.


painted

Monk.e with the help of Smilé/Smilee at the legal graffiti tunnel on de Rouen.

Biko under some highway.

The AG Crew has done a new wall in Petite-Patrie near their Plaza St-Hubert store.

Arnold at the abandoned Montreal Hippodrome.

This is one side of HoarKor aka HRKR‘s work on the entrance of a St-Henri high school.

This is the other side by HoarKor aka HRKR of the above entrance of a St-Henri high school.

Ezar (bottom left), unidentified (bottom right) and Gaulois (middle graffiti) at the legal graffiti tunnel on de Rouen.

Jason Botkin did this sidewalk piece in front of where Mural Festival announced their 2016 program, as the announcement was being made.

Maliciouz at the legal graffiti tunnel on de Rouen.

Unidentified artist in Rosemont.

Gwan at the legal graffiti tunnel on de Rouen.

Unidentified artist at the legal graffiti tunnel on de Rouen.

Mr Chose on the edge of the legal graffiti tunnel on de Rouen.

Mr Chose on a bin at the legal graffiti tunnel on de Rouen.

Listen piece in Mile End.


pasted

Miss Me put up a bunch of new wheatpastes mostly around Mile End, and mostly her iconic Portrait Of A Vandal. This particular one makes this list of new works because it was completely ‘tattoed’. See next two shots for close-ups.

Detail #1 of the above wheatpaste by Miss Me. Click and zoom-in to appreciate fully.

Detail #2 of the above wheatpaste by Miss Me. Click and zoom-in to appreciate fully.

Miss Me also put up in Mile End this one in her Dessert For Breakfast series.

Zola also got back into action. I found this new wheatpaste in Hochelaga.

Zola in Mile End.

Zola (main character) and Rey Midax (skull) found in Hochelaga. Scroll down for a close-up of the Rey Midax piece.

Stikki Peaches (top) and WhatIsAdam (kids) put up these new wheatpastes in the fashion district.

Another new Stikki Peaches wheatpaste.

Stikki Peaches (bottom) and WhatIsAdam (top; not a new design) in the fashion district, with tags by Scien and Klor from 123Klan.

This is a Futur Lasor Now wheatpaste based on a recent sticker design. Scroll down to the ‘stickers’ section below for a few slaps by this artist.

Futur Lasor Now (left) and 52Hz (right) in Mile End.

Another Mile End wheatpaste by 52Hz.

52Hz in Mile End.

Swarm (top) and Girl Plague (bottom) in St-Henri. Scroll down to the ‘stickers’ section for a sticker by Girl Plague.

Swarm in St-Henri.

Swarm in St-Henri.

Swarm in St-Henri.

Rey Midax spent a night putting up a few dozen wheapastes mostly in Hochelaga and Mile End. I have managed to run into seven different designs (this one above and the six below).

Rey Midax, various locations.

Rey Midax, various locations.

Rey Midax, various locations.

Rey Midax, various locations.

Rey Midax, various locations.

Rey Midax, various locations.

Le Renard Fou in Mile End.

Le Renard Fou in Mile End.

Le Renard Fou in Mile End.

A triple set by Le Renard Fou again in Mile End.

Another one by Le Renard Fou, this one in black and white.

Le Renard Fou (bottom right), Miss Me (bottom left) and Gial paste-up montage (top right) on a Mile End container. The Miss Me wheatpaste is not a new design, but the other pieces are. See below for a close-up of the Gial paste-up montage.

Gial paste-up montage found in Mile End. Some of these were found individually elsewhere in Mile End or in Hochelaga.

Another montage of Gial paste-ups found in Mile End. Individual pieces in this set were found elsewhere in Mile End or in Hochelaga.

Gial paste-up found in Hochelaga.

Gial paste-up found in Hochelaga.

Gial paste-up found in Hochelaga.

Gial paste-up found in Hochelaga.

Wheatpaste by Detto found in the Plateau.

Chat Perdu poster in Mile End.

National Zombi paste-up

This is something slightly different to what National Zombi usually puts up.

Dookie3; found in various locations around Mile End and Plateau End.

“Stay Beautiful” pasted sheet found in Pointe St-Charles.

“Stay Beautiful” pasted sheet found in Pointe St-Charles.

“Stay Beautiful” pasted sheet found in Pointe St-Charles.

Wheatpaste by an unidentified artist found in Hochelaga.


stickers

Futur Lasor Now!

Futur Lasor Now

Futur Lasor Now; see the ‘pasted’ section above for a wheatpaste by this artist.

ROC514; other designs have been put up by this artist, but this is the only one I encountered.

Starkey

Ether

Ether

Ether

Ether

Ether

Ether

Ether

Ether

Ether

Ether

Ether

Ether

Hand-drawn sticker by Cryote.

Hand-drawn sticker by Cryote.

Sloast

Sloast

Sloast

Sloast

Girl Plague. See ‘pasted’ section above for a wheatpaste by this artist.

By “Mary”.

Tag sticker by Press.


other

Stencil(?) by Stikki Peaches in the fashion district.

Short-lived Mateo stencil in the fashion district.

Mateo stencil in the abandoned Transco.

Drawing by Algue at the abandoned Montreal Hippodrome.

Skor

Skor is mostly known for his affiliation with Ahuntsic’s SIK crew (alongside Shok, Narc and Tuna), but he also represents crews TBK (with Kemt, Sewk) and ITS (from Chicago). He returned to graffiti in 2013 after a break of about 10 years. He quickly gained the respect of his peers and of fans through his dedication to his art and his incredible talent. He constantly experiments with style and has evolved considerably since his return to the scene. He is also incredibly prolific, as evidenced in the photo gallery below which shows just a fraction of what he has given us since mid-2014.

To view much more than what is shown here, you should check out Skor’s Instagram (current, old) and Flickr pages or this feature on Bombing Science.

Skor est surtout connu pour son affiliation avec le SIK crew d’Ahuntsic (aux côtés de Shok, Narc et Tuna), mais il représente aussi les crews TBK (avec Kemt et Sewk) et ITS (de Chicago). Il est revenu au graffiti en 2013 après une pause d’une dizaine d’années. Grâce à son dévouement envers son art et son incroyable talent il a rapidement gagné le respect de ses pairs et des amateurs de graffiti. Skor expérimente continuellement avec le style de ses pièces et a ainsi évolué considérablement depuis son retour à la scène du graf. Il est aussi extrêmement prolifique, tel que démontré dans la galerie-photo ci-dessous qui ne montre qu’une fraction de ce qu’il a créé depuis l’été 2014.

Pour en voir beaucoup plus que ce qui est présenté ici, jetez un coup d’oeil à ses pages Instagram (courante, ancienne) et Flickr de Skor, ou ce profil photo chez Bombing Science.


burners and other bigger pieces

Pieces in this section are shown in reverse chronological order, so the most recent are at the top.

Les pièces de cette section de la galerie sont présentées en ordre chronologique inverse, de la plus récente à la première que j’ai photographiée.

For Breaking Walls / Meeting Of Styles.

Contribution to the tribute wall to Scan done for the 2019 edition of Mural Festival.

At the Papineau legal graffiti wall.

This detail of the Scan You Rock tribute wall to Scaner shows Skor’s part. Click on the latter link to view the complete wall.

On a Ahuntsic rooftop.

In a Plateau alley.

Rooftop piece.

In Rosemont.

At the Papineau legal graffiti wall.

In Rosemont.

In Rosemont.

At the PSC legal graffiti wall.

Rooftop burner in Ahuntsic.

Rainy day drips at the abandoned Montreal Hippodrome.

At the PSC legal graffiti wall.

In Rosemont.

At the Papineau legal graffiti wall.

At the PSC legal graffiti wall.

At the abandoned Montreal Hippodrome.

In Rosemont.

In Rosemont.

In Rosemont.

For the Scan You Rock jam.

In Rosemont.

With Tuna on character at the PSC legal graffiti wall.

At the PSC legal graffiti wall, with Tuna on popsicle character.

At the Rouen legal graffiti tunnel.

At the Rouen legal graffiti tunnel.

At the PSC legal graffiti wall.

At the Rouen legal graffiti tunnel.

At the PSC legal graffiti wall.

At the Rouen legal graffiti tunnel.

At the abandoned Montreal Hippodrome.

Tribute mural by Skor (left, middle) to his grandfather, with contribution by Narc (right).

In Rosemont.

At the abandoned Montreal Hippodrome.

In Hochelaga.

In Rosemont.

In Rosemont.

At the abandoned Montreal Hippodrome.

Skor’s part in a 123Klan jam in the Plateau.

At the Papineau legal graffiti wall (he ran out of paint hence the white zones on the right; image slightly cropped on the left).

In a Ahuntsic alley.

At the Papineau legal graffiti wall.

Skor on letters and his then girlfriend Mlyne Fortier on her first character at the Papineau legal graffiti wall.

Rooftop piece for Plaza Walls.

Five Eight (top), Skor (middle) and Cemz (bottom) for the 2016 edition of the Under Pressure Festival.

Skor’s part in the 2016 Amalgam Festival in Sherbrooke.

Doing Scan‘s name at the Papineau legal graffiti wall.

At the Papineau legal graffiti wall.

In Ahuntsic.

A quick one on the left and a throw on the right.

At the abandoned Montreal Hippodrome.

At the legal graffiti tunnel on de Rouen.

In Rosemont.

Quick bubbles by the waterside.

In Rosemont.

In Parc-Ex.

At the Projet45 DIY skatepark.

At the abandoned Montreal Hippodrome.

Under a bridge.

At the Papineau legal graffiti wall.

At the Lachine legal graffiti wall.

In Rosemont.

At the PSC legal graffiti wall.

At the Papineau legal graffiti wall.

At the abandoned “Jailspot”. This was part of a Four Lokos-themed prod with other members of the SIK crew.

In Rosemont.

At the abandoned Montreal Hippodrome.

At the abandoned Montreal Hippodrome.

In Ville St-Laurent.

Going big in the abandoned Transco.

In Hochelaga.

At the legal graffiti tunnel on de Rouen.

In Ville St-Laurent.

In Ville St-Laurent.

In Rosemont.

A quickie at the legal graffiti tunnel on de Rouen.

At the PSC legal graffiti wall.

At the legal graffiti tunnel on de Rouen.

At the legal graffiti tunnel on de Rouen.

In Ville St-Laurent.

In an abandoned school.

In an abandoned school.

In Ville St-Laurent.

Boxing day piece at the legal graffiti tunnel on de Rouen.

Christmas season piece in Ville St-Laurent.

At the PSC legal graffiti wall; photo © Skor.

This one was designed by SIK crewmate Narc and done by Skor at the PSC legal graffiti wall.

In a Ahuntsic alley.

Up the stairs backwards in the abandoned Transco.

In an abandoned school.

Giant letters in the abandoned Transco.

In the abandoned Transco.

On the roof of the abandoned Transco.

In Rosemont, as part of a Silver Jam actually curated by Skor, featuring 18 artists among the best in Montreal.

At the abandoned “Jailspot”.

Back of truck done at Elementality’s Hip Hop You Don’t Stop Festival from September 2015.

In the abandoned Transco.

In the abandoned Transco.

At the 2015 graffiti jam in Lachine. Seen beneath Skor is a piece by Smak.

On the roof of the abandoned Transco.

At the abandoned “Jailspot”.

Five Eight (top), Earth Crusher (character) and Skor (bottom) for the 2015 edition of the Under Pressure Festival. Visible above is an older piece by Serak.

At the abandoned “Jailspot”.

At the legal graffiti tunnel on de Rouen. Also visible top right is a throw by Reabs.

At the abandoned “Jailspot”.

Skor (left), Legal (right) with a character by Jmoe in between. This was found in Parc Ex.

In Parc-Ex.

At the legal graffiti tunnel on de Rouen. Also visible top right is a throw by Mr Chose.

At the abandoned “Jailspot”.

Part of a major prod in Ahuntsic with members of the SIK and HSP crews.

In Rosemont.

Loker (left) and Skor (right) at the PSC legal graffiti wall.

In an abandoned lot in Hochelaga.

In an abandoned lot in Hochelaga.

A quick one in Mile End.

At the PSC legal graffiti wall.

Over an older piece by Max at the legal graffiti tunnel on de Rouen; also visible above is a big piece by Acro.

At the abandoned “Jailspot”.

At the legal graffiti tunnel on de Rouen. Seen above is a piece by Crane and above that a wheatpaste by Lovebot.

In Rosemont.

In an abandoned lot in Hochelaga.

In Parc-Ex.

In a Hochelaga alley.

With Kemt on the left in an abandoned lot in eastern Montreal.

With Kemt on the right at the legal graffiti tunnel on de Rouen.

For the 2014 edition of the Under Pressure Festival.

In Hochelaga.

Inside an abandoned building.

In someone’s back yard in Hochelaga.


throws and tags

In Parc-Ex.

In Parc-Ex.

In Ville St-Laurent.

In the abandoned Transco.

In an abandoned school.

In Ville St-Laurent.

In the abandoned Transco.

At the abandoned Montreal Hippodrome.

At the abandoned Montreal Hippodrome.

Near the abandoned Montreal Hippodrome.

At the Papineau legal graffiti wall.

At the Papineau legal graffiti wall.

In Ville St-Laurent.

At the Papineau legal graffiti wall.

In Ville St-Laurent.

In Parc-Ex.

In the abandoned Transco.

On the roof of the abandoned Transco.

With crewmate Tuna (left) in the abandoned Transco.

With crewmate Tuna (top left and bottom) in the abandoned Transco.

With crewmate Tuna (left) in the abandoned Transco.

At the abandoned Montreal Hippodrome.


figurative work

Contributing a character to a SIK crew jam in Ahuntsic.

Contributing a character to a SIK crew jam in Ahuntsic.

Skor’s characters with letters by crewmate Shok, in Ahuntsic.

Skor’s characters with letters by crewmate Narc, in Ahuntsic.

Skor supplied the characters to bookend these letters by Kemt in St-Henri.


sticker

MC Baldassari

Here is a spotlight on Montreal street artist MC Baldassari. To view more than just her street work, check out mcbaldassari.com or her Instagram, Facebook, Behance and Dribble pages.

Voici un profil-photo de l’oeuvre de l’artiste MC Baldassari dans les rues de Montréal. Si vous êtes intéressé par plus que ses murales vous êtes invités à jeter un coup d’oeil à mcbaldassari.com ou à ses pages Instagram, Facebook, Behance et Dribble.


Pieces in this section are shown in approximate reverse chronological order, so the most recent are at the top.

Les pièces de cette section de la galerie sont présentées en ordre chronologique inverse approximatif, de la plus récente à la plus vieille.

Collaboration between MC Baldassari and Fonki for the 2025 edition of Mural Festival.

For the 2024 edition of the Under Pressure Festival.

For the 2023 edition of Canettes de Ruelle.

Tribute to music conducter Yannick Nezet-Seguin in Ahuntsic.

Contribution to the 2019 edition of the Under Pressure Festival.

Wheatpastes (top 2) and painted piece (bottom) for the 2018 edition of the Under Pressure Festival.

With Aude Maeva for the 2017 edition of the Under Pressure Festival.

For the 2017 edition of MTL En Arts.

In a Plateau alley.

Collaboration between MC Baldassari (character) and Mateo (around character) for the 2016 edition of the Under Pressure Festival.

MC Baldassari and Hot Sluts’n’Poutine (now known as Lacey and Layla) collaboration in the Plateau, part 1/2.

MC Baldassari and Hot Sluts’n’Poutine (now known as Lacey and Layla) collaboration in the Plateau, part 2/2.

Back of information board for the 2016 edition of Mural Festival.

Collaboration between MC Baldassari, Gribouilliz, Wuna and Cgo found in Verdun.

With Rouks on letters at the legal graffiti tunnel on de Rouen.

In Petite Patrie for the borough’s Tandem project.

In Ville Emard.

This one was done for one of 2015’s VHS block parties.

Contribution to the 2015 edition of the Under Pressure Festival.

On plaza St-Hubert post.

This is MC Baldassari’s contribution to the 2015 edition of Mural Festival.

This was done for one of 2015’s Chromatic block parties.

For En Masse in Villeray.

Contribution to the 2014 edition of the Under Pressure Festival.

At the Cabane à sucre secret gallery, between Chris Dyer on the left and Labrona on the right.

Contribution to the 2013 edition of the Under Pressure Festival.


sticker

promo sticker

New graffiti March 2016

This post features photos of graffiti pieces created around Montreal during March 2016 and that I was lucky enough to catch. If you want to see new works as soon as I photograph them, you can follow me on Instagram.

Cet article présente les meilleurs graffitis créés à Montréal au cours de mars 2016 et que j’ai eu la chance de trouver et photographier. Pour voir les nouvelles oeuvres aussitôt photographiées, vous êtes invités à me suivre sur Instagram.


Cemz at the PSC legal graffiti wall.

Smak at the PSC legal graffiti wall.

Scaner doing Hoacs’ name at the PSC legal graffiti wall.

Scaner in Hochelaga.

Smak in Hochelaga.

Skor in Hochelaga.

Skor in the abandoned Transco.

Narc in the abandoned Transco.

Shok in the abandoned Transco.

Shok in the abandoned Transco.

Arek in the abandoned Transco.

Skor at the legal graffiti tunnel on de Rouen.

Skor in Ville St-Laurent.

Skor in Ville St-Laurent.

Skor at the abandoned Montreal Hippodrome.

Skor at the abandoned Montreal Hippodrome.

Tuna at the abandoned Montreal Hippodrome.

Tuna at the abandoned Montreal Hippodrome.

Shrek at the abandoned Montreal Hippodrome.

Killa EF at the abandoned Montreal Hippodrome.

Scribe representing Underdogs at the PSC legal graffiti wall.

Naimo representing Underdogs at the PSC legal graffiti wall.

Naimo on a car heading for the scrapyard.

Ekes on the opposite side of the above car.

Ekes in Rosemont.

Ekes under highway.

Logre aka Reebok at the abandoned “Jailspot”.

Bosny at the abandoned “Jailspot”.

Bosny under expressway.

Meor under expressway.

Pask under expressway.

Koal in Rosemont.

Epos in Rosemont.

Pease aka Peace in Hochelaga.

Pease aka Peace in the abandoned Armstrong.

Quote in the abandoned Armstrong

Kwun in the abandoned Armstrong

Kwun in Rosemont.

Blek in Rosemont.

Blek in Rosemont.

Blek in Rosemont.

Debza in Rosemont.

Acek at the PSC legal graffiti wall.

Omar aka Royal at the PSC legal graffiti wall.

Crane at the PSC legal graffiti wall.

Crane and Homer at the legal graffiti tunnel on de Rouen.

Crane in Rosemont.

Swik in Rosemont.

Wonez in Rosemont.

Wonez at the PSC legal graffiti wall.

Noper near the PSC legal graffiti wall.

Easter production by Haks at the PSC legal graffiti wall.

Easter production by Angr at the PSC legal graffiti wall.

F.One representing HSP at the legal graffiti tunnel on de Rouen.

Block on the abandoned Transco.

Venise on the abandoned Transco.

Eskro at the legal graffiti tunnel on de Rouen.

Eskro in Rosemont.

Laki at the legal graffiti tunnel on de Rouen.

Laki and Ozek at the PSC legal graffiti wall.

EK Sept at the legal graffiti tunnel on de Rouen.

Gaulois at the legal graffiti tunnel on de Rouen.

Flavor (head), Resno (green flop) and Gaulois (right) at the legal graffiti tunnel on de Rouen.

Gaulois doing TMRC in Rosemont.

Reab at the PSC legal graffiti wall.

Nstor in Ville St-Laurent.

Raes at the abandoned Montreal Hippodrome.

Face at the abandoned Montreal Hippodrome.

Duke at the abandoned Montreal Hippodrome.

Duke in Rosemont.

Neak (left) and Bewet (right) at the abandoned “Jailspot”.

Staple and Fabu at the legal graffiti tunnel on de Rouen.

Lect at the PSC legal graffiti wall.

Reces at the legal graffiti tunnel on de Rouen.

Gnius at the abandoned Montreal Hippodrome.

Actor at the abandoned Montreal Hippodrome.

Nasp at the abandoned Montreal Hippodrome.

Bomr at the abandoned Montreal Hippodrome.

Someone for TOTR in Rosemont.

Someone for TOTR in Rosemont.

Amok at the PSC legal graffiti wall.

Feros in Rosemont.

Axl? Babkianaxl? at the PSC legal graffiti wall.

Mean and unidentified artist at the legal graffiti tunnel on de Rouen.

Transco – the big rooms

The big rooms, which presumably served as warehouse space at ground level of the Transco, were each painted in a different colour and are featured separately below.

See also:

Les grandes pièces, qui ont probablement servi d’espace d’entreposage au rez-de-chaussée de la Transco, étaient peintes chacune d’une couleur différente et sont présentées séparément dans la galerie-photo ci-dessous.

Voir aussi:


the orange room / pièce orange

General view of the orange room.

Mask

Beaf

Snok

Throws by Snok and Jaker.

Shok

Tuna

Skor

Skor throw.

Janek

Shrek; photo © Bombing Science. This was probably the first piece to get done over, by War (scroll down a bit).

Debza

Fomer

Buck

Meor

Noper

Lyfer

Algue

Ekes

Ms Teri

EK Sept

EK Sept

Serum

Arek

Arek

Eskro

Rizek

Blek

War

Another one by War.

Sapo

Sapo for SBC.

Kelen

Kube

Astro

unidentified artist


the yellow room / pièce jaune

General view of the yellow room.

A giant silver one by Skor.

Skor

Throws by Tuna (left) and Skor (right).

Tuna

Tuna

Tuna

Yep, Tuna again!

Tuna, in copper.

Shok

Shok again, different style.

Narc

Narc

A giant one by Kemt.

YesB

Serum

Serum

Meor

Arek

Neak

Rest

Home

Beo

Amigo

Vest


the green room / pièce verte

The green room lacked windows and was therefore in the near complete darkness until the demolition team made holes in the ceiling to let light in when they arrived in February 2016. Before they did, graffers and other visitors would have to cross the room in the dark when passing from the blue to the yellow rooms. The only pieces visible on this room’s walls at the time (if they had a flashlight) were the Nock and Pacer ones shown in the gallery below. The rest of the material in this room was done after light was let in, with the exception of a few pieces done in a small adjoining room which had windows and was therefore always brightly lit.

La pièce verte n’avait pas de fenêtre et se trouvait conséquemment dans la quasi-obscurité jusqu’à l’arrivée en février 2016 des équipes de démolition qui ont créé des ouvertures dans le toit pour y laisser entrer la lumière. Avant leur arrivée, les graffeurs et autres visiteurs passant de la pièce bleue à la pièce jaune devaient traverser cette pièce verte dans l’obscurité presque totale. Les seules oeuvres visibles (s’ils avaient une lampe de poche) étaient celles de Nock et Pacer présentées dans la galerie ci-dessous. Les autres oeuvres ont été créées après l’ouverture du toit, à l’exception de quelques unes se trouvant dans une petite pièce attenante avec fenêtres, donc toujours très éclairée.

General view of the green room.

One of the very first pieces done inside the Transco, by Nock.

Another early piece, this one by Pacer.

Skor, done after the demolition of the building had started.

Narc, done after the demolition of the building had started.

Shok, done after the demolition of the building had started.

Narc inside the adjoining room.

Shok inside the adjoining room.

Tuna inside the adjoining room.

Debza inside the adjoining room.

Sapo inside the adjoining room.

Over inside the adjoining room.

Ratek

Kaner

Censure

Inuit

Noce

Venon

Bono

A very early outline by Nock.

Yema

unidentified artist


the purple room / pièce mauve

The purple room is more or less a large corridor connecting the blue and green rooms, plus a few locker spaces.

La pièce mauve n’est plus ou moins qu’un corridor large connectant les pièces bleue et verte, ainsi que quelques vestiaires.

Arek, done after the demolition of the building had started.

Shok, done after the demolition of the building had started.

Shok

Silver throw by Skor.

Snok in the locker room.

Blek (left) and Beo (right).

Censure

Spate

Jet


the blue room / pièce bleue

General view of a portion of the blue room.

Jaker

Blek

Jmoe

Shok

Tuna doing the name of his crew, SIK.

Throws by Tuna (bottom and top left) and Skor (top right).

Arek

Guest

Kemt

Crane

Korb

Soak

Rizek (top), Wemek (bottom), with a bit of Korb on the right (see above for full piece).

Throws by Rizek (in green) and Snok (outline).

Throw by Snok.

Another quick one by Snok.

Throw by Mask.

Throw by Beaf.

A Phantom Cat by Jmoe.

War

Vest


the white room / pièce blanche

Snok

Narc

Tuna

Skor

Throws by Tuna (left) and Skor (right)

Astro

Koal

Lyfer

Algue

Nybar

Ekes

Ekes

Kemt

Borrris

Oster

Transco – 2nd and 3rd floors

More big rooms were found on the complex’s 2nd and 3rd floors. Even though these seem to have served a different purpose than the coloured warehouses downstairs, as far as we are concerned, the quality of the work found in these rooms is the same.

See also:

D’autres grandes pièces se trouvaient aux 2e et 3e étages. Bien que la vocation de celles-ci semble avoir été différente de celle des grandes salles au niveau du sol, en ce qui nous concerne, la qualité des pièces qu’on y trouve est la même.

Voir aussi:


2nd floor / 2ième étage

general view

Snok

Snok

Snok

Beaf

Yema

Shok

Shok

Narc

Narc

Narc

Korb

Korb

Astro

Pask

Pask

Bosny

Acek in the stairs leading back down to the 1st floor.

Lyfer in the stairs leading back down to the 1st floor.

Lyfer

Naimo

Nybar

Algue

Algue representing the 203 crew.

Hitem

Jmoe

Jmoe

Blek

Quote

Jaker

Jaker

Blek

Blek

Blek

Blek visible through the window of an ajoining room.

Apok

Eskro

Eskro inside an ajoining room.

Crane

Arek

Rizek

Rizek

Drips / 1BL3

Drips

Someone representing the FT crew.

Ms Teri in the adjoining room.

Aliss

Someone representing the FT crew.

Duke

Hers

Arcel

Balis

Beo

War

War

War

Serum in the floor’s bathroom.

Elfu in an adjoining room. You can guess when this one and the next were done…

Elfu in an adjoining room.

Mastrocola over the window of an adjoining room.

unidentified artist

unidentified artist

Paner?

Mateo stencil.


3rd floor / 3ième étaige

Eskro

Apok

Raes

Algue representing the 203 crew.

Face

Rizek

Neack

Neack through the windows.


another 2nd floor / autre 2ième étage

general view

general view, from opposite end.

Snok

Jaker

Shok

Pask

Pask

Pask

Astro

Bosny

Bosny

L’ogre (letters spell ‘Reebok’)

Gnar

Naimo

Lyfer (left) and Ekes (right).

Ekes

Algue representing the 203 crew.

Rouks

Crane

Nybar

Nybar

Wonez

Wonez

Aces

EK Sept

Serum

Debza

Arek

Rest

Home

Home

Bewet

Sapoe

Neak

Neak

Resok representing YU8.

Meor hollow.

War (left) and unidentified (right).

unidentified artist

Transco – offices, roof and exterior

This post features all graffiti pieces done in the abandoned Transco’s offices, on its roof and exterior walls.

See also:

Cet article présente les pièces de graffiti faites dans les bureaux du complexe abandonné de la Transco, sur ses toits ainsi que sur ses murs extérieurs.

Voir aussi:


the offices / les bureaux

Opire

Lyfer

Bosny

Bosny

Debza

Algue

Algue

Algue

Rizek

Rizek

Neak

Neak and Bwet.

Bwet

Home

Home

Maek

Vest

Amigo

Resok


the roofs / les toits

Shok

Tuna

Tuna

Shok

Skor

Narc

Narc

Aero

Kemt

Shok

Skor

Skor throw.

Snok

Snok

Snok

Snok

Someone(s) representing the 203 crew.

Flying Eric (left) and Algue (right)

Scaner

Scaner

Eskae

Hoacs

Hoacs

Looter

Zek

Zek

Zek flops and tag.

Zek flop.

Jaber

Simo

Simo

Simo tags

Swarm

Hollows by Swarm and Fuser.

Fuser

Haks

Aloke

Debza

Crops

Wase

KC Neuf

KC Neuf

KC Neuf

Resok

Rizek

Rest

Neak

Neak

Sapo

Noce

Inuit

unidentified artist


the exterior walls / les murs extérieurs

Snok

Snok outline

Snok outline

Shok

Block

Venise

Listen

This old Stikki Peaches wheatpaste was put up before any writer had even made it inside the Transco complex.

Transco – other (small rooms, corridors, etc)

This post features all graffiti pieces done in the abandoned Transco’s smaller rooms, corridors, delivery spaces, etc.

See also:

Cet article présente les pièces de graffiti faites dans les petites pièces, corridors, espaces de livraison, etc, du complexe abandonné de la Transco.

Voir aussi:


the 203 / Pask / Bosny room

This room off the main corridor is a rather dark one with a second floor mezzanine where most of these pieces were found.

Cette pièce plutôt sombre accessible à partir du corridor principal inclut une mezzanine où se trouvent la plupart des pièces de graffiti montrées ici.

Pask

Bosny

Lyfer

Pask

Bosny

Bosny

Ekes

Algue

War

Blek


the POM / RCD / SIK room

This room off the main corridor is in fact a bunch of smaller inter-connected rooms over two and a half floors.

Cette pièce accessible du corridor principal est en fait un ensemble de petites pièces inter-connectées se trouvant sur deux étages et demi.

Aces (right) and EK Sept (top of the stairs)

Mask

Snok

Skorup the stairs backwards.

Shok

Arek

Narc

Hater

Someone representing Unc.

Scribe in one of the small rooms.

Scribe on an old fridge found in the same room where the piece above was done.

Haxan in another small room.

Elfu

War went over the Elfu piece above.

Aces at the back of a dark backroom.

EK Sept

Meor

Fokus aka Ofusk


the old front room

Snok. This was soon after covered by the Simo and Fiuser pieces shown below, until Snok reclaimed the spot again with his piece shown further down this gallery.

Getsa

Tulip

Nesar

Pito

Kist

Dolar

Simo

Fuser

Swarm

Snok reclaiming his spot taken by Simo and Fiuser above.

Beaf

Mask


the 203 ballroom

This rather small room with a red carpet may have just been an entrance hall. The carpet seems to have inspired Algue and his mates to come up with this festive theme.

Cette petite pièce avec tapis rouge était probablement un hall d’entrée. Le tapis semble avoir inspiré Algue et les autres à y donner un coté festif.

Algue representing the 203 crew.

Naimo

Ekes

Lyfer


the piano room

This room, which featured very little graffiti, was particularly loved by urbex photographers because of the unexpected presence of an old piano.

Cette pièce, où l’on ne trouvait que très peu de graffiti, était très prisée par les photographes d’urbex à cause de la présence inattendue d’un vieux piano.

Snok

Beo, War and Arcel.

unidentified artist

Tagged piano; tags include Nock for RCD, Rizek, Resok, Meth.


the machinery room

This was a large room, but most of it was rather dark and offered very little wall space good enough for graffiti. Some of material shown below was actually found inside small adjoining rooms.

Cette pièce était plutôt grande mais peu lumineuse et n’offrait que très peu d’espace intéressant pour y faire du graffiti. Certaines des oeuvres montrées dans cette section ont en fait été trouvées dans de petites pièces attenantes.

Shok (left) and Tuna (right).

Ofusk

Serum

EK Sept

Wesh (letters) and le Renard Fou (characters) in a small adjoining room.

SBU One in a small adjoining room.

SBU One in a small adjoining room.

SBU One in a small adjoining room.

Jmoe

Jmoe’s Phantom Cat.


the mint green room

This small room was one of the more obscure ones, in terms of light as well as in terms of accessibility.

Cette petite pièce était une des plus obscures, autant en ce qui concerne la lumière que son accessibilité.

Lyfer

Naimo

Ekes

Resok

Oster


corridors

Lyfer, with the Ekes one below as a companion piece.

Ekes, with the Lyfer one above as a companion piece.

Ekes

Jmoe

Koes

Algue representing the 203 crew. Also visible on the right is a tag by Yema.

Algue

KC Neuf

Arek done at a very advanced stage of demolition.

Snok

Yema


Janek’s backroom

This room was only accessible from the outside and wasn’t visited by graffers and photographers until late winter when the demolition teams made a hole in a wall of the orange room (in the middle of Janek’s piece, hence the name I found for this section) to access it from the inside.

Cette pièce était inaccessible autrement que par l’extérieur et est demeurée inconnue des graffeurs et photographes jusqu’à la fin de l’hiver quand les équipes de démolition ont créé une ouverture dans un mur de la pièce orange (dans le milieu de l’oeuvre de Janek) pour y accéder de l’intérieur.

Getsa

War

Sapo

Actor

Etos in red and Actor in grey. Partly visible on the right is the hole that finally made it possible to explore this room.

Two hollows by Getsa.


other

This section brings together whatever doesn’t fit elsewhere: small rooms with only 1 or 2 pieces, storage or delivery areas, nooks, etc.

Cette section compile tout ce qui ne pouvait être présenté dans les autres sections: petites pièces avec seulement 1 ou 2 oeuvres, espaces de rangement ou de livraison, etc.

Shok

Arek

Arek

Snok

Mask

Pask

Ekes

Wonez

Debza

Dolar

Algue

Algue representing the 203 crew. Also visible are tags by Rizek and Meth.

KC Neuf

KC Neuf

Rizek

Rizek

Someone representing the SB Crew.

Home

Neack

Neack

Claude

Sapo

Sapo

Noce

Noce

Venon

Inuit

Inuit

Censure

Maek

Jaker

Pito

Abuse (right), and presumably Weir on the left.

New street art February-March 2016

Here’s a photo gallery of the new street art on the streets of Montreal during the months of February and March 2016. The post is split into sections covering painted pieces, pasted pieces, stickers, and ‘other’. Graffiti done in Montreal during the same period is covered in separate posts. If you want to see new Montreal street art and graffiti as soon as I photograph it, you can follow me on Instagram.

Cet article présente les nouveautés street art apparues dans les rues de Montréal au cours des mois de février et mars 2016. Il est séparé en quatre sections: oeuvres peintes, collages, autocollants, et ‘autre’. Les pièces de graffiti créées au cours de la même période sont présentées dans des articles à part. Pour voir les nouvelles oeuvres de street art ou de graffiti aussitôt photographiées, vous êtes invités à me suivre sur Instagram.


painted

This Hsix mural with a bit of help from Zek on letters was probably finished before February, but confirmation of its completion came with the removal of the scaffoldings in front of it in the middle of winter.

A mid-winter mural piece in Villeray by Arnold.

This is by Algue, on a different wall of the same Villeray building as above.

This is Naimo on letters and Flying Eric with the figurative part, on another wall of the Villeray building featuring the Arnold and Algue pieces above.

Apok at the legal graffiti tunnel on de Rouen. Also visible in the top right corner of this shot in a small pink flop by Gaulois.

This late-March piece marked the return on Waxhead in Montreal after a winter spent in India.

Waxhead at the legal graffiti tunnel on de Rouen, one step ahead of April Fool’s Day.

ROC514 at the legal graffiti tunnel on de Rouen.

Starkey at the legal graffiti tunnel on de Rouen.

New York artist Alboe at the legal graffiti tunnel on de Rouen. Check out the ‘pasted’ section below for a few paste-ups by the same artist.

Two small ones by Porto at the legal graffiti tunnel on de Rouen.

This and 5 below: this Zek work around fenced zones in the Quartier des Spectacles appears to have been printed on canvas before being installed on location.

Detail, see above.

Detail, see above.

Detail, see above.

Close-up detail, see above.

Close-up detail, see above.

Jest over an earlier graf piece by Skor at the legal graffiti tunnel on de Rouen. Also visible in this shot are a pink flop by Gaulois and that green creatured by an unidentified artist.

Moon characters by Jest have popped up all around Montreal. This specimen and the other one below are in colour but most are just outlines. Scroll down to the ‘other’ section below for stencils by the same artist.

One more moon guy by Jest.

Unidentified artist in the alley between St-Laurent and Clark.


pasted

Paste-up by Alboe. Scroll up into this gallery for a painted piece from the same New York City artist.

Another paste-up by Alboe.

Unidentified artist, perhaps Kaneur?

Ninjas In Action

Ninjas In Action


stickers

A new one by Futur Lasor Now.

A different variation on the above Futur Lasor Now sticker.

Another variation of the above Futur Lasor Now stickers.

This is a sticker version of one of the pieces featured in Futur Lasor Now‘s Futur Politics Now expo at the Fresh Paint Gallery during March.

ROC514

ROC514

ROC514 in a Canadian themed series.

ROC514 in a Canadian themed series.

ROC514 in a Canadian themed series.

ROC514 in a Canadian themed series.

ROC514

ROC514

On the left is a collaboration between Pink and ROC514, while the sticker on the right is from an unidentified artist.

2D sticker showing showing Turtle Caps‘ experimentation in 3D.

A new one by Bezoman.

Stickers by Dookie3 (left) and Sloast (right).

Handmade sticker by Golo aka Gaulois.

Handmade sticker by Golo aka Gaulois.

Handmade sticker by Golo aka Gaulois.

Handmade sticker by Golo aka Gaulois.

This is signed “H.E.S.”. Drawn versions of this head have appeared in central Montreal alleys shortly before.

This is signed Vanyla Vanyla.

This one is said to have been “made by Mary”.

Nefasth.


other

This is a bright new wood-up by XRAY.

Stencilled pattern by Jest over the wooden protection installed around the statue dedicated to Claude Jutras following the recent controversy around this famous québécois movie director’s alleged pedophilia.

Jest stencil on traffic sign.

Lyfer

Lyfer, one of the most active writers in the 203 Crew, is known to do some canvas/gallery art, but streetwise is he strictly a graffiti artist. He is one of those artists who constantly reinvent themselves and don’t stick to only one style of writing. He explores, experiments and often surprises. Not only is he very talented, but he is also incredibly prolific. To give you an idea of the size of his body of work, know that the gallery below, despite being quite extensive, only features a fraction of the work Lyfer has left in our streets, alleys and abandoned spaces over the past few years.

For more photos than what is featured here, or if you are curious about his studio work, check out his Instagram and Tumblr pages.

Lyfer, un des graffeurs les plus actifs du crew 203, pratique la peinture sur canevas, mais dans la rue il ne fait que du graffiti. Une de ses forces est de savoir toujours se réinventer et de ne pas se limiter à un seul style. Il aime explorer, expérimenter et surprendre. Il n’est pas que très talentueux, il est aussi très prolifique. Pour donner une idée de sa présence dans nos rues, ruelles et espaces abandonnés, sachez que la galerie-photo ci-dessous, bien que très garnie, ne présente qu’une fraction de ce que l’artiste a créé au cours des dernières années.

Pour en voir plus que ce que je présente ci-dessous, ou si vous êtes interéssé par son travail en studio, jetez un coup d’oeil à ses pages Instagram et Tumblr.


burners and other big graffiti pieces

Pieces in this section are shown in approximate reverse chronological order, so the most recent are at the top.

Les pièces de cette section de la galerie sont présentées en ordre chronologique inverse, de la plus récente à la plus vieille que j’ai photographiée.

In an abandoned building.

In an abandoned building.

In an abandoned building.

Contribution to the 2020 edition of Mural Festival.

In an abandoned building.

In an abandoned building.

In Villeray.

Inside an abandoned tunnel.

Lyfer’s piece on the 203 Crew wall for the 2019 edition of Canettes de Ruelle.

One more for the 2019 edition of Canettes de Ruelle, this time in solo.

Lyfer on letters and a Borrris work-in-progress above, with input by Ekes and Trak on glasses and background. This is one frame of a stop motion video, the Lyfer name piece only existed a few minutes before being painted over to prepare for the video’s next frame.

In an empty lot.

Contribution to the tribute wall to Scan done for the 2019 edition of Mural Festival.

In an abandoned building.

In an abandoned building.

In an abandoned building.

In an abandoned building.

In an abandoned building.

In an abandoned building.

In an abandoned building.

Out of a dark underground.

In an abandoned building.

In a Hochelaga alley.

Close-up on Lyfer’s letter piece within the 203 crew wall for the 2018 edition of Canettes de Ruelle. Scroll down to the ‘contribution to multi-artist murals’ section below to see the full wall also featuring Borrris and Ekes.

In an abandoned building.

In an abandoned building.

In an abandoned building.

In an abandoned building.

In the basement of an abandoned industrial building.

On an abandoned warehouse.

In Petite-Patrie.

In a Plateau graffiti alley.

In the Plateau.

In Hochelaga.

On an abandoned house in the Plateau.

On a 203 Crew wall in Hochelaga.

At the abandoned Montreal Hippodrome.

At the abandoned Montreal Hippodrome.; comment above is by “Snob”.

On the roof of the abandoned Montreal Hippodrome.

At the abandoned Montreal Hippodrome.

At the abandoned Montreal Hippodrome.

Lyfer (top) and Ekes (ground) for Chats de Ruelle (Canettes de Ruelle 2017).

In Hochelaga.

In Hochelaga.

In Hochelaga.

Lyfer’s part in the 203 crew wall at the Festival de Canes in Longueuil.

Lyfer (top letters), Rove (ground letters) and Opire (croc) in Hochelaga.

In Hochelaga.

In Hochelaga.

On an abandoned warehouse in Hochelaga.

In an abandoned industrial lot.

In an abandoned industrial lot.

Off-Mural Festival 2017 work by Ekes (top) and Lyfer (ground level) in a central graffiti alley.

Lyfer (left) with Ekes (right) from a 203 jam around a Plateau block.

Lyfer (top) with Nstor (ground level) from a 203 jam around a Plateau block.

Another one by Lyfer near the above two pieces.

In Rosemont.

At the abandoned Montreal Hippodrome.

In an abandoned warehouse.

On train side.

From a winter production on Ile Notre-Dame.

In Hochelaga.

On the roof of an abandoned building in Hochelaga.

Inside an abandoned building in Hochelaga.

Lyfer (letters) and Awe (back) on truck done during the 2016 edition of the Hip Hop You Don’t Stop festival.

Lyfer (top) and Ekes (ground) in Hochelaga.

In an abandoned place.

For the Plaza Walls event in Petite-Patrie.

Lyfer’s part in the 2016 Amalgam Festival in Sherbrooke.

The 203 crew wall for the 2016 edition of the Under Pressure Festival featuring, from top to bottom, Lyfer, Ekes, Naimo and Sener, with baseball player by Arnold.

Lyfer (ground) and Janek (top) in Hochelaga.

2016 off-Mural piece in the alley between St-Laurent and Clark.

In Hochelaga for Ekes’ 2016 birthday bash.

Lyfer on letters and Cryote on character for the 2016 Sun Youth front wall multi-artist production.

On the side wall of a Plateau carwash.

At the abandoned Montreal Hippodrome. Lacking a roller, Lyfer splashed paint on the wall to create a background then drew the outline of his letters over it.

In a Montreal suburb.

Trackside Lyfer.

At the abandoned Montreal Hippodrome.

On a rundown building in the industrial East.

At the abandoned Montreal Hippodrome.

At the Papineau legal graffiti wall.

On a bridge pillar.

On the abandoned Canada Malting plant.

In a narrow St-Henri alley.

In the abandoned Transco.

In the abandoned Transco.

In the abandoned Transco.

Lyfer (left) and Ekes (right) in the abandoned Transco.

In the abandoned Transco.

In the abandoned Transco.

In the abandoned Transco.

In the abandoned Transco.

In the abandoned Transco.

Beneath a highway in an industrial part of town.

Lyfer (left) and Ekes (right) at the legal graffiti tunnel on de Rouen.

In the abandoned Transco.

Lyfer (left) and Opire (right) at the legal graffiti tunnel on de Rouen.

At the abandoned “Jailspot”.

In an empty lot in the Eastern part of Montreal.

Truck side letters by Lyfer with rats by Bosny.

On the roof of the abandoned “Jailspot”.

On the roof of the abandoned “Jailspot”.

Lyfer and Babar (bottom) with throws and tags by Sneak and Venise above, at the abandoned “Jailspot”.

Near the PSC legal graffiti wall. Throws seen above are by Bank and Owk.

In an Hochelaga-Maisonneuve alley.

In Old Montreal.

In the alley between St-Laurent and Clark. Seen above is a piece by Waxhead.

On an abandoned building in the eastern part of town.

At the abandoned “Jailspot”.

At the abandoned “Jailspot”.

In the alley between St-Laurent and Clark.

Lyfer’s part from a collaboration with Arose in Hochelaga-Maisonneuve.

Hitem (bottom left), Lyfer (bottom right) and Crane (above) near the PSC legal graffiti wall.

On a wall in Rosemont where graffiti is tolerated.

Next to the legal graffiti tunnel on de Rouen.

In Hochelaga-Maisonneuve.

At the PSC legal graffiti wall.

At the abandoned “Jailspot”.

On a semi-official wall in Hochelaga-Maisonneuve.

In Hochelaga-Maisonneuve.

Beneath a highway in industrial Montreal.

On a garage wall in Hochelaga-Maisonneuve.

Trackside piece.

Beneath a highway in an industrial part of town.

In Hochelaga-Maisonneuve.

This is presumed to be by Lyfer representing his 203 crew. Other artists around are unidentified.

In a Hochelaga-Maisonneuve alley.

Inside the abandoned Omnipac building on the corner of Van Horne and Parc (now gone).

This multi-artist wall in St-Henri features Lyfer (top) above, from left to right, Cens, Opire (character), Awe, Five Eight and Juice Funk.

In an empty lot in the eastern part of town.

Lyfer (top) and Nybar (below) in an alley in Hochelaga-Maisonneuve.

Deep (left) and Lyfer (right) in an abandoned building.

On a Plateau wall.

In Ville-Marie.

Lyfer (left) and Algue (right) in an empty lot in Hochelaga-Maisonneuve.

Under some bridge.


contribution to multi-artist murals

Pieces in this section are shown in approximate reverse chronological order, so the most recent are at the top.

Les pièces de cette section de la galerie sont présentées en ordre chronologique inverse, de la plus récente à la plus vieille que j’ai photographiée.

Lyfer and Ekes for the 2019 Lachine graffiti jam.

This 203 crew wall for the 2019 edition of the Under Pressure Festival was done by Lyfer, Ekes, Opire, Arnold, Borrris and Trak, with tags by Trak, Phare, Hitem, Yesir, Masek and guests Axe Lalime, Soma and Peau.

The 203 crew wall by Borrris, Lyfer and Ekes for the 2018 edition of Canettes de Ruelle. Scroll up to the ‘graffiti’ section above for a close-up on Lyfer’s letter piece.

The 203 crew wall for the 2018 edition of the Under Pressure Festival features Lyfer alongside Ekes, Arnold, Borrris, Flying Eric, Opire and Algue.

The 203 Crew wall at the Estival de Canes 2018 features Lyfer alongside Flying Eric, Arnold, Borrris, Ekes and Algue.

The 203 crew wall for the 2017 edition of the Under Pressure Festival. The 203 Invader with the munchies is by Opire and the one with the giggles is by Arnold and Borrris. The top letters – actually numbers – are by Naimo, the ground ones by Ekes and all the wraparound is by Lyfer and Ekes plus probably a few more 203s…


throws

This section is meant to show throw-ups by Lyfer, but as you can see from the gallery below, the artist rarely contents himself with just a flat outline + fill. There’s almost always a bit of 3D depth given to his outlines.

Le throw est une pièce de graffiti rapide consistant généralement en un simple contour avec une seule couleur de remplissage. Lyfer ne peut se contenter de si peu pour les siens; comme on peut le voir dans la galerie ci-dessous, il ajoute souvent un peu de profondeur à ses pièces rapides en élaborant ses contours.

In Rosemont.

With Inca in a Plateau alley.

More than a simple throw, in an abandoned building.

In an abandoned building.

In an abandoned building.

In an abandoned building.

In an abandoned building.

In St-Michel.

In Mile Ex.

Trackside.

In an empty lot in Hochelaga-Maisonneuve.

In Hochelaga.

At the abandoned “Jailspot”.

In NDG.

At the abandoned “Jailspot”.

In Petite-Patrie.

In Hochelaga-Maisonneuve.

With Sekel on the abandoned Canada Malting Plant.

Kelen (top) and Lyfer (bottom) inside an abandoned building.

In industrial no-man’s land.

Algue representing the 203 crew (left) and Lyfer (top right) under a bridge.

Beneath highway.

In Rosemont.

On an abandoned warehouse in Hochelaga.

At the abandoned Montreal Hippodrome.

In a Plateau back alley.

In empty lot east of Hochelaga-Maisonneuve.

In an abandoned building.

Next to the legal graffiti tunnel on de Rouen.

Trackside in Outremont.

In Parc-Ex.

In NDG.

In industrial Montreal.

In empty lot in Eastern Montreal.

In Petite-Patrie.

In Little Italy.

In a Plateau alley.

In a Plateau alley.

Off a roof in the fashion district.

On Mont-Royal street as part of a street festival.

In an abandoned building.


tags

A hollow and a tag.

Lyfer is presumed to have done this little 203 piece next to his tag.

Lyfer (left) and Seek (right).

With Phare.


stickers

This is just a selection of all the Lyfer stickers that I have found over the past few years. The majority are sticker-tags, although I have occasionally found more elaborate ones such as the first few specimens shown below.

La gallerie ci-dessous ne présente qu’une sélection de la grande quantité d’autocollants de la main de Lyfer que j’ai trouvés au fil des années. La grande majorité sont à toutes fins pratiques des tags collés. Il m’est arrivé d’en trouver quelques uns plus élaborés, tels que les spécimens figurant en tête de liste ci-dessous.