The big rooms, which presumably served as warehouse space at ground level of the Transco, were each painted in a different colour and are featured separately below.
See also:
- Transco – general information page
- the 2nd and 3rd floors
- the offices, the roof and the exterior walls
- other (small rooms, corridors, etc.)
Les grandes pièces, qui ont probablement servi d’espace d’entreposage au rez-de-chaussée de la Transco, étaient peintes chacune d’une couleur différente et sont présentées séparément dans la galerie-photo ci-dessous.
Voir aussi:
- Transco – page d’information générale
- les 2e et 3e étages
- les bureaux, le toit et les murs extérieurs
- autre (petites pièces, corridors, etc.)
the orange room / pièce orange
General view of the orange room. Mask Beaf Snok Throws by Snok and Jaker. Shok Tuna Skor Skor throw. Janek Shrek; photo © Bombing Science. This was probably the first piece to get done over, by War (scroll down a bit). Debza Fomer Buck Meor Noper Lyfer Algue Ekes Ms Teri EK Sept EK Sept Serum Arek Arek Eskro Rizek Blek War Another one by War. Sapo Sapo for SBC. Kelen Kube Astro unidentified artistthe yellow room / pièce jaune
General view of the yellow room. A giant silver one by Skor. Skor Throws by Tuna (left) and Skor (right). Tuna Tuna Tuna Yep, Tuna again! Tuna, in copper. Shok Shok again, different style. Narc Narc A giant one by Kemt. YesB Serum Serum Meor Arek Neak Rest Home Beo Amigo Vestthe green room / pièce verte
The green room lacked windows and was therefore in the near complete darkness until the demolition team made holes in the ceiling to let light in when they arrived in February 2016. Before they did, graffers and other visitors would have to cross the room in the dark when passing from the blue to the yellow rooms. The only pieces visible on this room’s walls at the time (if they had a flashlight) were the Nock and Pacer ones shown in the gallery below. The rest of the material in this room was done after light was let in, with the exception of a few pieces done in a small adjoining room which had windows and was therefore always brightly lit.
La pièce verte n’avait pas de fenêtre et se trouvait conséquemment dans la quasi-obscurité jusqu’à l’arrivée en février 2016 des équipes de démolition qui ont créé des ouvertures dans le toit pour y laisser entrer la lumière. Avant leur arrivée, les graffeurs et autres visiteurs passant de la pièce bleue à la pièce jaune devaient traverser cette pièce verte dans l’obscurité presque totale. Les seules oeuvres visibles (s’ils avaient une lampe de poche) étaient celles de Nock et Pacer présentées dans la galerie ci-dessous. Les autres oeuvres ont été créées après l’ouverture du toit, à l’exception de quelques unes se trouvant dans une petite pièce attenante avec fenêtres, donc toujours très éclairée.
General view of the green room. One of the very first pieces done inside the Transco, by Nock. Another early piece, this one by Pacer. Skor, done after the demolition of the building had started. Narc, done after the demolition of the building had started. Shok, done after the demolition of the building had started. Narc inside the adjoining room. Shok inside the adjoining room. Tuna inside the adjoining room. Debza inside the adjoining room. Sapo inside the adjoining room. Over inside the adjoining room. Ratek Kaner Censure Inuit Noce Venon Bono A very early outline by Nock. Yema unidentified artistthe purple room / pièce mauve
The purple room is more or less a large corridor connecting the blue and green rooms, plus a few locker spaces.
La pièce mauve n’est plus ou moins qu’un corridor large connectant les pièces bleue et verte, ainsi que quelques vestiaires.
Arek, done after the demolition of the building had started. Shok, done after the demolition of the building had started. Shok Silver throw by Skor. Snok in the locker room. Blek (left) and Beo (right). Censure Spate Jet